Mapping Intermediality in Performance

This volume examines afresh the impact upon acting and performance of digital technologies. It is concerned with how digital culture combines the traditional 'liveness' of theatre with media interfaces and internet protocols. The time and space of the 'here and now' are both chal...

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Bibliographic Details
Other Authors: Nelson, Robin (Editor), Lavender, Andy (Editor), Bay-Cheng, Sarah (Editor), Kattenbelt, Chiel (Editor)
Format: eBook
Published: Amsterdam University Press 2010
Subjects:
Online Access:Get fulltext
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024 7 |a 10.5117/9789089642554  |c doi 
041 0 |h English 
042 |a dc 
100 1 |a Nelson, Robin  |e edt 
856 |z Get fulltext  |u http://library.oapen.org/handle/20.500.12657/34571 
700 1 |a Lavender, Andy  |e edt 
700 1 |a Bay-Cheng, Sarah  |e edt 
700 1 |a Kattenbelt, Chiel  |e edt 
700 1 |a Nelson, Robin  |e oth 
700 1 |a Lavender, Andy  |e oth 
700 1 |a Bay-Cheng, Sarah  |e oth 
700 1 |a Kattenbelt, Chiel  |e oth 
245 1 0 |a Mapping Intermediality in Performance 
260 |b Amsterdam University Press  |c 2010 
300 |a 1 electronic resource (304 p.) 
506 0 |a Open Access  |2 star  |f Unrestricted online access 
520 |a This volume examines afresh the impact upon acting and performance of digital technologies. It is concerned with how digital culture combines the traditional 'liveness' of theatre with media interfaces and internet protocols. The time and space of the 'here and now' are both challenged and adapted, just as barriers between theatre-makers and the 'experiencers' of events are broken down. Today many of us are everyday players performing the interconnectedness of digital culture and a key aim of the book is to unpack the multiple interrelations within the landscape of contemporary performance. Access to a range of 'instances' (The Builders Association, Castellucci, Castorf, Gob Squad, Lepage, Second Life and VJing) is through 'portals' which afford perspectives on the main characteristics of theatre and performance in the digital age. 
520 |a Mapping Intermediality in Performance benadert het vraagstuk van intermedialiteit met betrekking tot performance (vooral theater) vanuit vijf verschillende invalshoeken: performativiteit en lichaam; tijd en ruimte; digitale cultuur en posthumanisme; netwerken; pedagogiek en praxis. In deze boeiende bundel worden de begrippen onderzocht vanuit een directe verbinding tussen theorie en praktijk en binnen de overkoepelende context van de digitale cultuur. 
540 |a All rights reserved 
546 |a English 
650 7 |a Theatre studies  |2 bicssc 
650 7 |a Film, TV & radio  |2 bicssc 
653 |a theater 
653 |a stage presentations 
653 |a motion pictures 
653 |a film 
653 |a Information Age