Literary Coteries and the Making of Modern Print Culture : 1740-1790

Literary Coteries and the Making of Modern Print Culture, 1740-1790 offers the first study of manuscript-producing coteries as an integral element of eighteenth-century Britain's literary culture. As a corrective to literary histories assuming that the dominance of print meant the demise of a v...

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Bibliographic Details
Main Author: Schellenberg, Betty (auth)
Format: eBook
Published: Cambridge, UK Cambridge University Press 2016
Subjects:
Online Access:Get fulltext
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520 |a Literary Coteries and the Making of Modern Print Culture, 1740-1790 offers the first study of manuscript-producing coteries as an integral element of eighteenth-century Britain's literary culture. As a corrective to literary histories assuming that the dominance of print meant the demise of a vital scribal culture, the book profiles four interrelated and influential coteries, focusing on each group's deployment of traditional scribal practices, on key individuals who served as bridges between networks, and on the aesthetic and cultural work performed by the group. Literary Coteries also explores points of intersection between coteries and the print trade, whether in the form of individuals who straddled the two cultures; publishing events in which the two media regimes collaborated or came into conflict; literary conventions adapted from manuscript practice to serve the ends of print; or simply poetry hand-copied from magazines. Together, these instances demonstrate how scribal modes shaped modern literary production. 
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546 |a English 
650 7 |a Literature: history & criticism  |2 bicssc 
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653 |a Manuscript 
653 |a Robert Dodsley 
653 |a William Shenstone