Tonality as Drama : Closure and Interruption in Four Twentieth-Century American Operas
This is an analytical monograph by a Schenkerian music theorist, but it is also written by one performer and enthusiast for another. Tonality as Drama draws on the fields of dramaturgy, music theory, and historical musicology to answer a fundamental question regarding twentieth-century music: why do...
Main Author: | Latham, Edward (auth) |
---|---|
Format: | eBook |
Published: |
Denton, Texas, USA
University of North Texas Press
2008
|
Subjects: | |
Online Access: | Get fulltext |
Similar Items
-
Tonality as Drama Closure and Interruption in Four Twentieth-Century American Operas
Published: (2008) -
George Gershwin’s An American in Paris for Two Pianos: A Critical Score Study and Performance Guide
by: Van Dyke, Joseph Michael
Published: (2011) -
Kurt Weill: Lieder to Legend, An Examination of Ofrah's Lieder & Frauentanz, Op. 10
by: Amonson, Christina
Published: (2012) -
Sfida alle convenzioni “gastronomiche” del teatro d’opera: “Aufstieg und Fall der Stadt Mahagonny” di Kurt Weill e Bertolt Brecht
by: Anna Ficarella
Published: (2016-12-01) -
A study of the composition and performance of Scott Joplin's opera Treemonisha
by: Hebert, Rubye Nell
Published: (1976)