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01806naaaa2200337uu 4500 |
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31629 |
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20170330 |
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|a oapen_626391
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020 |
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|a 9781781383322
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024 |
7 |
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|a 10.26530/oapen_626391
|c doi
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041 |
0 |
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|h English
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042 |
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|a dc
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100 |
1 |
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|a Schmeink, Lars
|e auth
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245 |
1 |
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|a Biopunk Dystopias : Genetic Engineering, Society and Science Fiction
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260 |
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|a Liverpool
|b Liverpool University Press
|c 20170127
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856 |
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|z Get fulltext
|u http://library.oapen.org/handle/20.500.12657/31629
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506 |
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|a Open Access
|2 star
|f Unrestricted online access
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|a 'Biopunk Dystopias' contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human Genome Project (1990-2003), the changing sociological view of a liquid modern society, and shifting discourses on the posthuman, including a critical posthumanism that decenters the privileged subject of humanism. The book argues that this historical nexus produces a specific cultural formation in the form of "biopunk", a subgenre evolved from the cyberpunk of the 1980s. Biopunk makes use of current posthumanist conceptions in order to criticize contemporary reality as already dystopian, warning that a future will only get worse, and that society needs to reverse its path, or else destroy all life on this planet.
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536 |
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|a Knowledge Unlatched
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540 |
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|a Creative Commons
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546 |
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|a English
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650 |
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7 |
|a Science fiction
|2 bicssc
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653 |
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|a Literature
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653 |
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|a Science Fiction
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653 |
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|a Dystopia
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653 |
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|a Genetic engineering
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653 |
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|a Humanism
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653 |
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|a Late modernity
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653 |
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|a Posthuman
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653 |
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|a Posthumanism
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653 |
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|a Utopia
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