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| LEADER |
01256naaaa2200277uu 4500 |
| 001 |
25225 |
| 005 |
20190424 |
| 020 |
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|a 9783110436846;9783110434453
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| 041 |
0 |
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|h French
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| 042 |
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|a dc
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| 100 |
1 |
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|a Langone, Angela Daiana
|e auth
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| 856 |
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|z Get fulltext
|u http://library.oapen.org/handle/20.500.12657/25225
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| 700 |
1 |
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|a Ette, Ottmar
|e edt
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| 700 |
1 |
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|a Ette, Ottmar
|e oth
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| 245 |
1 |
0 |
|a Molière et le théâtre arabe : Réception moliéresque et identités nationales arabes
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| 260 |
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|a Berlin/Boston
|b De Gruyter
|c 20160115
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| 506 |
0 |
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|a Open Access
|2 star
|f Unrestricted online access
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| 520 |
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|a Molière, often considered the 'godfather of Arab theatre', was first introduced to the Arab world in 1847 by Marun Naqqaš and his adaptation of The Miser. Since then, Molière has never ceased to influence Arab dramaturgy. Discussing a series of plays by authors from Lebanon, Egypt, Tunisia and Morocco, this study aims at defining Molière's role in the development of a national Arab theatre.
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| 536 |
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|a Knowledge Unlatched
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| 540 |
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|a Creative Commons
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| 546 |
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|a French
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| 650 |
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7 |
|a Plays, playscripts
|2 bicssc
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| 653 |
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|a Modern Languages and Linguistics
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| 653 |
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|a arab theater
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| 653 |
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|a Molière
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| 653 |
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|a arabic world
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