Vestiges

The evidence of nature’s power of reclamation is something that is both symbolically and aesthetically captivating to me. I am intrigued when I see the visual effects of deterioration on manufactured items and the natural environment. From that deterioration, I have adopted a unique aesthetic thro...

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Bibliographic Details
Main Author: Gemmell, Jonathan
Format: Others
Published: VCU Scholars Compass 2012
Online Access:http://scholarscompass.vcu.edu/etd/2683
http://scholarscompass.vcu.edu/cgi/viewcontent.cgi?article=3682&context=etd
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spelling ndltd-vcu.edu-oai-scholarscompass.vcu.edu-etd-36822017-03-17T08:26:28Z Vestiges Gemmell, Jonathan The evidence of nature’s power of reclamation is something that is both symbolically and aesthetically captivating to me. I am intrigued when I see the visual effects of deterioration on manufactured items and the natural environment. From that deterioration, I have adopted a unique aesthetic through which I explore both manmade and natural remnants of the industrial age. My ceramic forms resemble antiquated machine parts and represent relics of the industrial machine. Photographically, I capture the simple beauty found in landscapes altered by man. My representation of the imagery is austere, the muted color stains and textured surfaces are symbolic representations of their deterioration. I work with a variety of hand building techniques to create my sculptures. After firing, I treat the surfaces with oxides and patinas to give the final artworks a deteriorated exterior appearance. I use a similar aesthetic when altering my photographic images. Through digital processing, I build a varied surface of textures and stains to give each image an archaic appearance. 2012-04-24T07:00:00Z text application/pdf http://scholarscompass.vcu.edu/etd/2683 http://scholarscompass.vcu.edu/cgi/viewcontent.cgi?article=3682&context=etd © The Author Theses and Dissertations VCU Scholars Compass
collection NDLTD
format Others
sources NDLTD
description The evidence of nature’s power of reclamation is something that is both symbolically and aesthetically captivating to me. I am intrigued when I see the visual effects of deterioration on manufactured items and the natural environment. From that deterioration, I have adopted a unique aesthetic through which I explore both manmade and natural remnants of the industrial age. My ceramic forms resemble antiquated machine parts and represent relics of the industrial machine. Photographically, I capture the simple beauty found in landscapes altered by man. My representation of the imagery is austere, the muted color stains and textured surfaces are symbolic representations of their deterioration. I work with a variety of hand building techniques to create my sculptures. After firing, I treat the surfaces with oxides and patinas to give the final artworks a deteriorated exterior appearance. I use a similar aesthetic when altering my photographic images. Through digital processing, I build a varied surface of textures and stains to give each image an archaic appearance.
author Gemmell, Jonathan
spellingShingle Gemmell, Jonathan
Vestiges
author_facet Gemmell, Jonathan
author_sort Gemmell, Jonathan
title Vestiges
title_short Vestiges
title_full Vestiges
title_fullStr Vestiges
title_full_unstemmed Vestiges
title_sort vestiges
publisher VCU Scholars Compass
publishDate 2012
url http://scholarscompass.vcu.edu/etd/2683
http://scholarscompass.vcu.edu/cgi/viewcontent.cgi?article=3682&context=etd
work_keys_str_mv AT gemmelljonathan vestiges
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