Rhythm, Grid and Collage: Building a Design Business Incubator

The idea of rhythm as applied to interior space is the basis for this thesis. The site is an old warehouse with a structure that contains a repetitive rhythm in the form of a columnar grid and a corresponding fenestration pattern, yet the building also has an atypical wedge shape. The program is a d...

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Main Author: Smith, Robert David
Format: Others
Published: VCU Scholars Compass 2008
Subjects:
Online Access:http://scholarscompass.vcu.edu/etd/1539
http://scholarscompass.vcu.edu/cgi/viewcontent.cgi?article=2538&context=etd
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spelling ndltd-vcu.edu-oai-scholarscompass.vcu.edu-etd-25382017-03-17T08:30:56Z Rhythm, Grid and Collage: Building a Design Business Incubator Smith, Robert David The idea of rhythm as applied to interior space is the basis for this thesis. The site is an old warehouse with a structure that contains a repetitive rhythm in the form of a columnar grid and a corresponding fenestration pattern, yet the building also has an atypical wedge shape. The program is a design business incubator, a place where design business startups, recent graduates of Virginia design programs, can begin their design careers and find their rhythm in a cooperative and supportive environment, a collage of design businesses, if you will. Rhythm is essential in our lives, from the beating of our hearts to the rising and setting of the sun. Rhythm is also essential to spatial design. Our built environments require some form of pattern in order to help create a sense of stability and familiarity with our surroundings. Whether in music or painting, poetry or design, rhythm starts with simple repetition. But rhythm moves beyond mere repetition to include a diverse assortment of elements. The more complex a rhythm, the more we can become involved with that rhythm and consequently with the object that provides the rhythm. How does rhythm translate into space and time? How is it possible to develop a more complex and expressive rhythm in a particular space? What might be considered more expressive? How can this old warehouse function as a design business incubator while new rhythms are introduced into the mix of old rhythms through the fulfillment of this program and thereby create a collage of space? 2008-01-01T08:00:00Z text application/pdf http://scholarscompass.vcu.edu/etd/1539 http://scholarscompass.vcu.edu/cgi/viewcontent.cgi?article=2538&context=etd © The Author Theses and Dissertations VCU Scholars Compass interiors hermitage road interior design business incubator design business grid rhythm collage Art and Design Arts and Humanities
collection NDLTD
format Others
sources NDLTD
topic interiors
hermitage road
interior design
business incubator
design business
grid
rhythm
collage
Art and Design
Arts and Humanities
spellingShingle interiors
hermitage road
interior design
business incubator
design business
grid
rhythm
collage
Art and Design
Arts and Humanities
Smith, Robert David
Rhythm, Grid and Collage: Building a Design Business Incubator
description The idea of rhythm as applied to interior space is the basis for this thesis. The site is an old warehouse with a structure that contains a repetitive rhythm in the form of a columnar grid and a corresponding fenestration pattern, yet the building also has an atypical wedge shape. The program is a design business incubator, a place where design business startups, recent graduates of Virginia design programs, can begin their design careers and find their rhythm in a cooperative and supportive environment, a collage of design businesses, if you will. Rhythm is essential in our lives, from the beating of our hearts to the rising and setting of the sun. Rhythm is also essential to spatial design. Our built environments require some form of pattern in order to help create a sense of stability and familiarity with our surroundings. Whether in music or painting, poetry or design, rhythm starts with simple repetition. But rhythm moves beyond mere repetition to include a diverse assortment of elements. The more complex a rhythm, the more we can become involved with that rhythm and consequently with the object that provides the rhythm. How does rhythm translate into space and time? How is it possible to develop a more complex and expressive rhythm in a particular space? What might be considered more expressive? How can this old warehouse function as a design business incubator while new rhythms are introduced into the mix of old rhythms through the fulfillment of this program and thereby create a collage of space?
author Smith, Robert David
author_facet Smith, Robert David
author_sort Smith, Robert David
title Rhythm, Grid and Collage: Building a Design Business Incubator
title_short Rhythm, Grid and Collage: Building a Design Business Incubator
title_full Rhythm, Grid and Collage: Building a Design Business Incubator
title_fullStr Rhythm, Grid and Collage: Building a Design Business Incubator
title_full_unstemmed Rhythm, Grid and Collage: Building a Design Business Incubator
title_sort rhythm, grid and collage: building a design business incubator
publisher VCU Scholars Compass
publishDate 2008
url http://scholarscompass.vcu.edu/etd/1539
http://scholarscompass.vcu.edu/cgi/viewcontent.cgi?article=2538&context=etd
work_keys_str_mv AT smithrobertdavid rhythmgridandcollagebuildingadesignbusinessincubator
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