Blues Trope as a Cultural Intersection in Alice Walker's The Temple of My Familiar and Sherman Alexie's Reservation Blues
Though bound historically through hundreds of years, the African-Native American relation has not received much attention by scholars of literature; hence, the emphasis of this thesis is to investigate the literary portrayal of the interethnic relation between African Americans and Native Americans...
Main Author: | Leuthardt, Julia |
---|---|
Format: | Others |
Published: |
VCU Scholars Compass
2012
|
Subjects: | |
Online Access: | http://scholarscompass.vcu.edu/etd/335 http://scholarscompass.vcu.edu/cgi/viewcontent.cgi?article=1334&context=etd |
Similar Items
-
The Father- Son Relation in The Lone Ranger and Tonto Fistfight in Heaven By Sherman Alexie and in the Red Headed Woman by Orhan Pamuk / Sherman Alexie’nin Maskeli Süvari ve Tonto Cennette Yumruklaşır ve Orhan Pamuk’un Kırmızı Saçlı Kadın Eserlerinde Baba- Oğul İlişkisi
by: B. Cercis Tanrıtanır
Published: (2020-02-01) -
Humour as a Political Tool: Translating Stories from Sherman Alexie's Ten Little Indians into Turkish
by: Mayadağ, Deniz
Published: (2017) -
William Apess and Sherman Alexie: Imagining Indianness in (Non)Fiction
by: Andrews, Gabriel M
Published: (2010) -
Whole because of, not in spite of, our fragments: holistic survival in Walker's The color purple and The temple of my familiar
by: Keaton, Hetty
Published: (1991) -
Apparent Resistance- Alice Walker´s The Color Purple as supportive of patriarchal American society
by: Haugness, Helen