Transformation through visual art: a case study in an African village living with HIV/AIDS

This research is an ethnographic case study that asks the questions “what is transformation?” and “how does art transform individuals and their communities?” The narrative describes key moments in the researcher’s journey to South Africa in search of answers to these questions. Findings describe th...

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Main Author: Adnams Jones, Sally
Other Authors: Emme, Michael J.
Language:English
en
Published: 2016
Subjects:
Online Access:http://hdl.handle.net/1828/7338
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spelling ndltd-uvic.ca-oai-dspace.library.uvic.ca-1828-73382017-05-15T17:23:22Z Transformation through visual art: a case study in an African village living with HIV/AIDS Adnams Jones, Sally Emme, Michael J. action research art education art therapy arts based research africa case study community based research community development change empowerment ethnography feminist methods Hamburg HIV/AIDS Keiskamma Trust narrative methods South Africa tapestry transformation visual art voice Xhosa This research is an ethnographic case study that asks the questions “what is transformation?” and “how does art transform individuals and their communities?” The narrative describes key moments in the researcher’s journey to South Africa in search of answers to these questions. Findings describe the village of Hamburg’s developing art practice, and include the artists’ own voices and views on this topic. Hamburg is a Xhosa village in South Africa that has faced many challenges due to the spread of HIV/AIDS. One response to the impact of HIV/AIDS on family and economic structures has been the development of an extensive community-based art practice, including large communal tapestry work. To engage questions regarding how visual art transforms people, the researcher reviewed existing Western and Eastern literature on transformation, and compared this with the Southern ethnographic interviews conducted whilst living in the village of Hamburg, where she joined the women for two months as they made their art. The interviews, which were informed by feminist thinking and community based action research, are deeply moving, and form the data from which conclusions were drawn. It iii  was found that the gritty, embodied nature of this community’s experience with transformative art processes can perhaps stimulate more inquiry into transformative art practice within art education itself, that, to date, does not engage much with a deliberate practice for human transformation. Findings in this study can also broaden the existing, sometimes disembodied, academic understandings around transformation within educational, therapeutic and spiritual discourses, which, to date, include mostly linear, hierarchical models, as well as anecdotal descriptions from mostly White, male perspectives. As yet, there is not much inquiry outside of feminist discourse into women’s transformation, which tends to be more organic and community orientated. The researcher’s findings suggest that literature on transformation through art is needed within art education, which should include female, Black African experiences. The researcher’s conclusions are applied to classroom and studio practice, where she challenges educators, researchers and practitioners within art education to take the link between art and transformation much more seriously, as a powerful technology for growth, empowerment and resilience. Findings can also be applied to other disciplines such as feminism, art therapy, education, psychology and spirituality. Graduate 0273 0357 0621 sadnams@uvic.ca 2016-06-08T20:06:30Z 2017-05-14T11:22:05Z 2016 2016-06-08 Thesis http://hdl.handle.net/1828/7338 English en Available to the World Wide Web
collection NDLTD
language English
en
sources NDLTD
topic action research
art education
art therapy
arts based research
africa
case study
community based research
community development
change
empowerment
ethnography
feminist methods
Hamburg
HIV/AIDS
Keiskamma Trust
narrative methods
South Africa
tapestry
transformation
visual art
voice
Xhosa
spellingShingle action research
art education
art therapy
arts based research
africa
case study
community based research
community development
change
empowerment
ethnography
feminist methods
Hamburg
HIV/AIDS
Keiskamma Trust
narrative methods
South Africa
tapestry
transformation
visual art
voice
Xhosa
Adnams Jones, Sally
Transformation through visual art: a case study in an African village living with HIV/AIDS
description This research is an ethnographic case study that asks the questions “what is transformation?” and “how does art transform individuals and their communities?” The narrative describes key moments in the researcher’s journey to South Africa in search of answers to these questions. Findings describe the village of Hamburg’s developing art practice, and include the artists’ own voices and views on this topic. Hamburg is a Xhosa village in South Africa that has faced many challenges due to the spread of HIV/AIDS. One response to the impact of HIV/AIDS on family and economic structures has been the development of an extensive community-based art practice, including large communal tapestry work. To engage questions regarding how visual art transforms people, the researcher reviewed existing Western and Eastern literature on transformation, and compared this with the Southern ethnographic interviews conducted whilst living in the village of Hamburg, where she joined the women for two months as they made their art. The interviews, which were informed by feminist thinking and community based action research, are deeply moving, and form the data from which conclusions were drawn. It iii  was found that the gritty, embodied nature of this community’s experience with transformative art processes can perhaps stimulate more inquiry into transformative art practice within art education itself, that, to date, does not engage much with a deliberate practice for human transformation. Findings in this study can also broaden the existing, sometimes disembodied, academic understandings around transformation within educational, therapeutic and spiritual discourses, which, to date, include mostly linear, hierarchical models, as well as anecdotal descriptions from mostly White, male perspectives. As yet, there is not much inquiry outside of feminist discourse into women’s transformation, which tends to be more organic and community orientated. The researcher’s findings suggest that literature on transformation through art is needed within art education, which should include female, Black African experiences. The researcher’s conclusions are applied to classroom and studio practice, where she challenges educators, researchers and practitioners within art education to take the link between art and transformation much more seriously, as a powerful technology for growth, empowerment and resilience. Findings can also be applied to other disciplines such as feminism, art therapy, education, psychology and spirituality. === Graduate === 0273 === 0357 === 0621 === sadnams@uvic.ca
author2 Emme, Michael J.
author_facet Emme, Michael J.
Adnams Jones, Sally
author Adnams Jones, Sally
author_sort Adnams Jones, Sally
title Transformation through visual art: a case study in an African village living with HIV/AIDS
title_short Transformation through visual art: a case study in an African village living with HIV/AIDS
title_full Transformation through visual art: a case study in an African village living with HIV/AIDS
title_fullStr Transformation through visual art: a case study in an African village living with HIV/AIDS
title_full_unstemmed Transformation through visual art: a case study in an African village living with HIV/AIDS
title_sort transformation through visual art: a case study in an african village living with hiv/aids
publishDate 2016
url http://hdl.handle.net/1828/7338
work_keys_str_mv AT adnamsjonessally transformationthroughvisualartacasestudyinanafricanvillagelivingwithhivaids
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