Techniques of vision: photography practices and the governing of subjectivities
This thesis explores how photography has been used in the governing of subjectivities and draws on the following three forms of governmentality identified by Michel Foucault: biopower, discipline and ethics. In photography's early history discourses on character and insanity privileged visual...
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ndltd-uvic.ca-oai-dspace.library.uvic.ca-1828-19902015-01-29T16:51:01Z Techniques of vision: photography practices and the governing of subjectivities Lewis, Goldwyn Heir, Sean P. Walsh, Andrea N. photography in psychotherapy Michel Foucault UVic Subject Index::Humanities and Social Sciences::Sociology This thesis explores how photography has been used in the governing of subjectivities and draws on the following three forms of governmentality identified by Michel Foucault: biopower, discipline and ethics. In photography's early history discourses on character and insanity privileged visual observation and the camera was used as a more precise extension of the clinician's eye. With the emergence of Freud's "talking cure" the use of still-photography in treatment and diagnosis was generally neglected until the 1970s when the medium was re-configured as an ideal technique for accessing the unconscious. Currently Phototherapy clients, with the aid of a therapist, use personal photos in order to identify and modify problematic aspects of self. I draw on Michel Foucault's second and third period work in order to investigate these shifting relationships of photography to subjectivity. 2009-12-16T19:17:22Z 2009-12-16T19:17:22Z 2006 2009-12-16T19:17:22Z Thesis http://hdl.handle.net/1828/1990 English en Available to the World Wide Web |
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English en |
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photography in psychotherapy Michel Foucault UVic Subject Index::Humanities and Social Sciences::Sociology |
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photography in psychotherapy Michel Foucault UVic Subject Index::Humanities and Social Sciences::Sociology Lewis, Goldwyn Techniques of vision: photography practices and the governing of subjectivities |
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This thesis explores how photography has been used in the governing of subjectivities
and draws on the following three forms of governmentality identified by Michel Foucault: biopower, discipline and ethics. In photography's early history discourses on character and insanity privileged visual observation and the camera was used as a more precise extension of the clinician's eye. With the emergence of Freud's "talking cure" the use of still-photography in treatment and diagnosis was generally neglected until the 1970s when the medium was re-configured as an ideal technique for accessing the unconscious. Currently Phototherapy clients, with the aid of a therapist, use personal photos in order to identify and modify problematic aspects of self. I draw on Michel Foucault's second and third period work in order to investigate these shifting relationships of photography to subjectivity. |
author2 |
Heir, Sean P. |
author_facet |
Heir, Sean P. Lewis, Goldwyn |
author |
Lewis, Goldwyn |
author_sort |
Lewis, Goldwyn |
title |
Techniques of vision: photography practices and the governing of subjectivities |
title_short |
Techniques of vision: photography practices and the governing of subjectivities |
title_full |
Techniques of vision: photography practices and the governing of subjectivities |
title_fullStr |
Techniques of vision: photography practices and the governing of subjectivities |
title_full_unstemmed |
Techniques of vision: photography practices and the governing of subjectivities |
title_sort |
techniques of vision: photography practices and the governing of subjectivities |
publishDate |
2009 |
url |
http://hdl.handle.net/1828/1990 |
work_keys_str_mv |
AT lewisgoldwyn techniquesofvisionphotographypracticesandthegoverningofsubjectivities |
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1716729058401714176 |