GULE | The masks we carry: intersectional Indigenous storytelling through visual arts narratives, film and community-governance

This thesis documents and discusses the production of a film about the Gule Wamkulu Mask Dance, in the village of Mzonde, in the area of traditional authority of Nkanda, Malawi. Through an Ubuntu framework of place-based epistemology, critical race theory and the principles of Indigenous research, I...

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Bibliographic Details
Main Author: Andrade, Kl. Peruzzo de
Other Authors: Mucina, Devi
Format: Others
Language:English
en
Published: 2020
Subjects:
Online Access:http://hdl.handle.net/1828/12159
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spelling ndltd-uvic.ca-oai-dspace.library.uvic.ca-1828-121592020-10-02T06:22:06Z GULE | The masks we carry: intersectional Indigenous storytelling through visual arts narratives, film and community-governance Andrade, Kl. Peruzzo de Mucina, Devi Reading, Charlotte Loppie indigenous black belonging wellness identity film indigenous methodology This thesis documents and discusses the production of a film about the Gule Wamkulu Mask Dance, in the village of Mzonde, in the area of traditional authority of Nkanda, Malawi. Through an Ubuntu framework of place-based epistemology, critical race theory and the principles of Indigenous research, I describe my journey of self-reflection about what it means to be Caá-Poré Cafuzo and how I came to understand belonging in the context of diasporic, Black and Indigenous relationships and governance. Graduate 2020-10-01T00:36:35Z 2020-10-01T00:36:35Z 2020 2020-09-30 Thesis http://hdl.handle.net/1828/12159 English en Available to the World Wide Web application/pdf
collection NDLTD
language English
en
format Others
sources NDLTD
topic indigenous
black
belonging
wellness
identity
film
indigenous methodology
spellingShingle indigenous
black
belonging
wellness
identity
film
indigenous methodology
Andrade, Kl. Peruzzo de
GULE | The masks we carry: intersectional Indigenous storytelling through visual arts narratives, film and community-governance
description This thesis documents and discusses the production of a film about the Gule Wamkulu Mask Dance, in the village of Mzonde, in the area of traditional authority of Nkanda, Malawi. Through an Ubuntu framework of place-based epistemology, critical race theory and the principles of Indigenous research, I describe my journey of self-reflection about what it means to be Caá-Poré Cafuzo and how I came to understand belonging in the context of diasporic, Black and Indigenous relationships and governance. === Graduate
author2 Mucina, Devi
author_facet Mucina, Devi
Andrade, Kl. Peruzzo de
author Andrade, Kl. Peruzzo de
author_sort Andrade, Kl. Peruzzo de
title GULE | The masks we carry: intersectional Indigenous storytelling through visual arts narratives, film and community-governance
title_short GULE | The masks we carry: intersectional Indigenous storytelling through visual arts narratives, film and community-governance
title_full GULE | The masks we carry: intersectional Indigenous storytelling through visual arts narratives, film and community-governance
title_fullStr GULE | The masks we carry: intersectional Indigenous storytelling through visual arts narratives, film and community-governance
title_full_unstemmed GULE | The masks we carry: intersectional Indigenous storytelling through visual arts narratives, film and community-governance
title_sort gule | the masks we carry: intersectional indigenous storytelling through visual arts narratives, film and community-governance
publishDate 2020
url http://hdl.handle.net/1828/12159
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