The Cult of Fashion Brands in China and the Application of Microblogging

In China, an increasing number of individuals and companies are adopting microblogging, a popular form of social media, in order to connect and interact with other people, and recent online events indicate the power of microblogging in Chinese society. Holding the belief that microblogging brings ou...

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Bibliographic Details
Main Author: Han, Lu
Other Authors: Ahmed, Rukhsana
Language:en
Published: Université d'Ottawa / University of Ottawa 2013
Subjects:
Online Access:http://hdl.handle.net/10393/26171
http://dx.doi.org/10.20381/ruor-3252
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spelling ndltd-uottawa.ca-oai-ruor.uottawa.ca-10393-261712018-01-05T19:01:43Z The Cult of Fashion Brands in China and the Application of Microblogging Han, Lu Ahmed, Rukhsana microblogging fashion brands China Uses and gratifications Content analysis In China, an increasing number of individuals and companies are adopting microblogging, a popular form of social media, in order to connect and interact with other people, and recent online events indicate the power of microblogging in Chinese society. Holding the belief that microblogging brings out the interactive nature of new media as well as the audiences, many companies are exploring microblogging in order to better communicate with their audiences. However, very little is known about how those brands use microblogging to promote themselves and what the audiences’ preferences are on this platform. Employing uses and gratifications and feminism theories, this study examined how fashion brands use Weibo.com, one of the main microblogging platforms in China, to promote themselves and what the Chinese women, the main audience of both Weibo.com and fashion brands, ask for from fashion brands’ tweets. The quantitative content analysis of the tweets of three major fashion brands, namely Burberry, Louis Vuitton, and Bvlgari, shows the general pattern of how microblogging are being deployed. A further investigation was conducted through ethnographic content analysis in order to examine the implicit values conveyed by fashion brand’s tweets and the audiences’ preferences towards these values. Results from the analyses revealed that the prevailing topics covered in the fashion brands’ tweets included their products, related celebrities, and the brands’ events or projects, and fashion brands usually combined several topics in one tweet in order to provide more information to the audiences. Taken a deeper look at the latent message of the tweets, fashion appears to play a positive role in emancipating contemporary Chinese women. 2013-09-23T20:13:26Z 2013-09-23T20:13:26Z 2013 2013 Thesis http://hdl.handle.net/10393/26171 http://dx.doi.org/10.20381/ruor-3252 en Université d'Ottawa / University of Ottawa
collection NDLTD
language en
sources NDLTD
topic microblogging
fashion brands
China
Uses and gratifications
Content analysis
spellingShingle microblogging
fashion brands
China
Uses and gratifications
Content analysis
Han, Lu
The Cult of Fashion Brands in China and the Application of Microblogging
description In China, an increasing number of individuals and companies are adopting microblogging, a popular form of social media, in order to connect and interact with other people, and recent online events indicate the power of microblogging in Chinese society. Holding the belief that microblogging brings out the interactive nature of new media as well as the audiences, many companies are exploring microblogging in order to better communicate with their audiences. However, very little is known about how those brands use microblogging to promote themselves and what the audiences’ preferences are on this platform. Employing uses and gratifications and feminism theories, this study examined how fashion brands use Weibo.com, one of the main microblogging platforms in China, to promote themselves and what the Chinese women, the main audience of both Weibo.com and fashion brands, ask for from fashion brands’ tweets. The quantitative content analysis of the tweets of three major fashion brands, namely Burberry, Louis Vuitton, and Bvlgari, shows the general pattern of how microblogging are being deployed. A further investigation was conducted through ethnographic content analysis in order to examine the implicit values conveyed by fashion brand’s tweets and the audiences’ preferences towards these values. Results from the analyses revealed that the prevailing topics covered in the fashion brands’ tweets included their products, related celebrities, and the brands’ events or projects, and fashion brands usually combined several topics in one tweet in order to provide more information to the audiences. Taken a deeper look at the latent message of the tweets, fashion appears to play a positive role in emancipating contemporary Chinese women.
author2 Ahmed, Rukhsana
author_facet Ahmed, Rukhsana
Han, Lu
author Han, Lu
author_sort Han, Lu
title The Cult of Fashion Brands in China and the Application of Microblogging
title_short The Cult of Fashion Brands in China and the Application of Microblogging
title_full The Cult of Fashion Brands in China and the Application of Microblogging
title_fullStr The Cult of Fashion Brands in China and the Application of Microblogging
title_full_unstemmed The Cult of Fashion Brands in China and the Application of Microblogging
title_sort cult of fashion brands in china and the application of microblogging
publisher Université d'Ottawa / University of Ottawa
publishDate 2013
url http://hdl.handle.net/10393/26171
http://dx.doi.org/10.20381/ruor-3252
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