Essay for Orchestra
1 score (viii, 83 p.). A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number. === Essay for Orchestra is a one-movement concert piece scored for full orchestra. Since the definition of the genre "orchestral essay"...
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ndltd-uoregon.edu-oai-scholarsbank.uoregon.edu-1794-99812018-12-20T05:47:41Z Essay for Orchestra Roberts, David Michael, 1983- 1 score (viii, 83 p.). A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number. Essay for Orchestra is a one-movement concert piece scored for full orchestra. Since the definition of the genre "orchestral essay" is unclear, the composer has considerable latitude while still claiming a connection to a musical tradition. I have used the term "essay" to suggest a formal function. The piece is structured around the interaction between three main themes, each of which is derived from the same basic motivic material and corresponds to an element of a prose essay: an introduction; the advancement of a main argument; and the statement and eventual refutation of a counterargument. Each theme appears first in its own section and later in conjunction with the others, the coda functioning as a confirmation of the primary idea and a synthesis of all three. Harmonically, Essay for Orchestra is an attempt to blend the languages of Prokofiev, Hindemith, Shostakovich, Schnittke, and in deference to the title, Barber. Committee in Charge: Dr. David Crumb, Chair; Dr. Robert Kyr; Dr. Jeffrey Stolet 2009-11-24T01:52:36Z 2009-11-24T01:52:36Z 2009-09 Thesis http://hdl.handle.net/1794/9981 en_US University of Oregon theses, School of Music and Dance, M. Mus., 2009; University of Oregon |
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1 score (viii, 83 p.). A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number. === Essay for Orchestra is a one-movement concert piece scored for full orchestra.
Since the definition of the genre "orchestral essay" is unclear, the composer has
considerable latitude while still claiming a connection to a musical tradition. I have used
the term "essay" to suggest a formal function. The piece is structured around the
interaction between three main themes, each of which is derived from the same basic
motivic material and corresponds to an element of a prose essay: an introduction; the
advancement of a main argument; and the statement and eventual refutation of a
counterargument. Each theme appears first in its own section and later in conjunction
with the others, the coda functioning as a confirmation of the primary idea and a
synthesis of all three. Harmonically, Essay for Orchestra is an attempt to blend the
languages of Prokofiev, Hindemith, Shostakovich, Schnittke, and in deference to the title,
Barber. === Committee in Charge:
Dr. David Crumb, Chair;
Dr. Robert Kyr;
Dr. Jeffrey Stolet |
author |
Roberts, David Michael, 1983- |
spellingShingle |
Roberts, David Michael, 1983- Essay for Orchestra |
author_facet |
Roberts, David Michael, 1983- |
author_sort |
Roberts, David Michael, 1983- |
title |
Essay for Orchestra |
title_short |
Essay for Orchestra |
title_full |
Essay for Orchestra |
title_fullStr |
Essay for Orchestra |
title_full_unstemmed |
Essay for Orchestra |
title_sort |
essay for orchestra |
publisher |
University of Oregon |
publishDate |
2009 |
url |
http://hdl.handle.net/1794/9981 |
work_keys_str_mv |
AT robertsdavidmichael1983 essayfororchestra |
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1718803957243969536 |