Ni Santas Ni Putas, Sólo Mujeres: Disrupting Appropriate Latina Femininity through Raunch Aesthetics on Instagram
This thesis analyzes how Latinas on Instagram actively resist social and cultural conventions of sexuality, propriety and femininity through the adornment and arrangement of their bodies. Taking into account expectations of women's behavior in public spaces, I examine the ways social media as a...
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University of Oregon
2018
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ndltd-uoregon.edu-oai-scholarsbank.uoregon.edu-1794-238332019-03-14T17:22:17Z Ni Santas Ni Putas, Sólo Mujeres: Disrupting Appropriate Latina Femininity through Raunch Aesthetics on Instagram Barreto, Andrea Chavez, Christopher Femininity Instagram Latina Productive perversity Raunch aesthetics Sexuality This thesis analyzes how Latinas on Instagram actively resist social and cultural conventions of sexuality, propriety and femininity through the adornment and arrangement of their bodies. Taking into account expectations of women's behavior in public spaces, I examine the ways social media as a digital public sphere reliant upon user-generated visual content creates opportunities for rejecting mutually exclusive understandings of womanhood. The Latina users in this study employ raunch aesthetics and the performance of productive perversity, as theorized by Jillian Hernandez (2014) and Celine Parreñas Shimizu (2007) respectively, via accessories and nonverbal behavior to problematize racialized and classed representations of gender. 2018-09-06T22:03:37Z 2018-09-06T22:03:37Z 2018-09-06 Electronic Thesis or Dissertation http://hdl.handle.net/1794/23833 en_US All Rights Reserved. University of Oregon |
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en_US |
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Femininity Latina Productive perversity Raunch aesthetics Sexuality |
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Femininity Latina Productive perversity Raunch aesthetics Sexuality Barreto, Andrea Ni Santas Ni Putas, Sólo Mujeres: Disrupting Appropriate Latina Femininity through Raunch Aesthetics on Instagram |
description |
This thesis analyzes how Latinas on Instagram actively resist social and cultural conventions of sexuality, propriety and femininity through the adornment and arrangement of their bodies. Taking into account expectations of women's behavior in public spaces, I examine the ways social media as a digital public sphere reliant upon user-generated visual content creates opportunities for rejecting mutually exclusive understandings of womanhood. The Latina users in this study employ raunch aesthetics and the performance of productive perversity, as theorized by Jillian Hernandez (2014) and Celine Parreñas Shimizu (2007) respectively, via accessories and nonverbal behavior to problematize racialized and classed representations of gender. |
author2 |
Chavez, Christopher |
author_facet |
Chavez, Christopher Barreto, Andrea |
author |
Barreto, Andrea |
author_sort |
Barreto, Andrea |
title |
Ni Santas Ni Putas, Sólo Mujeres: Disrupting Appropriate Latina Femininity through Raunch Aesthetics on Instagram |
title_short |
Ni Santas Ni Putas, Sólo Mujeres: Disrupting Appropriate Latina Femininity through Raunch Aesthetics on Instagram |
title_full |
Ni Santas Ni Putas, Sólo Mujeres: Disrupting Appropriate Latina Femininity through Raunch Aesthetics on Instagram |
title_fullStr |
Ni Santas Ni Putas, Sólo Mujeres: Disrupting Appropriate Latina Femininity through Raunch Aesthetics on Instagram |
title_full_unstemmed |
Ni Santas Ni Putas, Sólo Mujeres: Disrupting Appropriate Latina Femininity through Raunch Aesthetics on Instagram |
title_sort |
ni santas ni putas, sólo mujeres: disrupting appropriate latina femininity through raunch aesthetics on instagram |
publisher |
University of Oregon |
publishDate |
2018 |
url |
http://hdl.handle.net/1794/23833 |
work_keys_str_mv |
AT barretoandrea nisantasniputassolomujeresdisruptingappropriatelatinafemininitythroughraunchaestheticsoninstagram |
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1719003648332136448 |