Ni Santas Ni Putas, Sólo Mujeres: Disrupting Appropriate Latina Femininity through Raunch Aesthetics on Instagram

This thesis analyzes how Latinas on Instagram actively resist social and cultural conventions of sexuality, propriety and femininity through the adornment and arrangement of their bodies. Taking into account expectations of women's behavior in public spaces, I examine the ways social media as a...

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Bibliographic Details
Main Author: Barreto, Andrea
Other Authors: Chavez, Christopher
Language:en_US
Published: University of Oregon 2018
Subjects:
Online Access:http://hdl.handle.net/1794/23833
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spelling ndltd-uoregon.edu-oai-scholarsbank.uoregon.edu-1794-238332019-03-14T17:22:17Z Ni Santas Ni Putas, Sólo Mujeres: Disrupting Appropriate Latina Femininity through Raunch Aesthetics on Instagram Barreto, Andrea Chavez, Christopher Femininity Instagram Latina Productive perversity Raunch aesthetics Sexuality This thesis analyzes how Latinas on Instagram actively resist social and cultural conventions of sexuality, propriety and femininity through the adornment and arrangement of their bodies. Taking into account expectations of women's behavior in public spaces, I examine the ways social media as a digital public sphere reliant upon user-generated visual content creates opportunities for rejecting mutually exclusive understandings of womanhood. The Latina users in this study employ raunch aesthetics and the performance of productive perversity, as theorized by Jillian Hernandez (2014) and Celine Parreñas Shimizu (2007) respectively, via accessories and nonverbal behavior to problematize racialized and classed representations of gender. 2018-09-06T22:03:37Z 2018-09-06T22:03:37Z 2018-09-06 Electronic Thesis or Dissertation http://hdl.handle.net/1794/23833 en_US All Rights Reserved. University of Oregon
collection NDLTD
language en_US
sources NDLTD
topic Femininity
Instagram
Latina
Productive perversity
Raunch aesthetics
Sexuality
spellingShingle Femininity
Instagram
Latina
Productive perversity
Raunch aesthetics
Sexuality
Barreto, Andrea
Ni Santas Ni Putas, Sólo Mujeres: Disrupting Appropriate Latina Femininity through Raunch Aesthetics on Instagram
description This thesis analyzes how Latinas on Instagram actively resist social and cultural conventions of sexuality, propriety and femininity through the adornment and arrangement of their bodies. Taking into account expectations of women's behavior in public spaces, I examine the ways social media as a digital public sphere reliant upon user-generated visual content creates opportunities for rejecting mutually exclusive understandings of womanhood. The Latina users in this study employ raunch aesthetics and the performance of productive perversity, as theorized by Jillian Hernandez (2014) and Celine Parreñas Shimizu (2007) respectively, via accessories and nonverbal behavior to problematize racialized and classed representations of gender.
author2 Chavez, Christopher
author_facet Chavez, Christopher
Barreto, Andrea
author Barreto, Andrea
author_sort Barreto, Andrea
title Ni Santas Ni Putas, Sólo Mujeres: Disrupting Appropriate Latina Femininity through Raunch Aesthetics on Instagram
title_short Ni Santas Ni Putas, Sólo Mujeres: Disrupting Appropriate Latina Femininity through Raunch Aesthetics on Instagram
title_full Ni Santas Ni Putas, Sólo Mujeres: Disrupting Appropriate Latina Femininity through Raunch Aesthetics on Instagram
title_fullStr Ni Santas Ni Putas, Sólo Mujeres: Disrupting Appropriate Latina Femininity through Raunch Aesthetics on Instagram
title_full_unstemmed Ni Santas Ni Putas, Sólo Mujeres: Disrupting Appropriate Latina Femininity through Raunch Aesthetics on Instagram
title_sort ni santas ni putas, sólo mujeres: disrupting appropriate latina femininity through raunch aesthetics on instagram
publisher University of Oregon
publishDate 2018
url http://hdl.handle.net/1794/23833
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