Broadcasting Public: Radio Station KOAC and the Making of Modern Citizens, 1923-1958
In 1923 the Oregon Agricultural College began broadcasting market information and weather reports to farmers in the Willamette Valley. By 1958 the programming had expanded to include everything from symphonies to lectures in psychology. This thesis poses the following questions: How did the produce...
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ndltd-uoregon.edu-oai-scholarsbank.uoregon.edu-1794-197082019-05-23T16:30:28Z Broadcasting Public: Radio Station KOAC and the Making of Modern Citizens, 1923-1958 Chroman, Thea Soderlund, Gretchen Agriculture Education Homemaking Modernity Radio Rural In 1923 the Oregon Agricultural College began broadcasting market information and weather reports to farmers in the Willamette Valley. By 1958 the programming had expanded to include everything from symphonies to lectures in psychology. This thesis poses the following questions: How did the producers and funders of Station KOAC understand the medium’s potential to reach spaces they believed were isolated from the promise of modernity? What were the values that the state prioritized through its funding of Station KOAC? How did listeners understand and experience KOAC? Based on archival research, I argue that the station was recruited to welcome rural and domestic listeners into modernity and simultaneously task them with the maintenance of traditional institutions on which the state relied. However it also brought information and companionship to listeners, who claimed their own citizenship through state supported radio. 2016-02-24T00:25:31Z 2016-02-24T00:25:31Z 2016-02-23 Electronic Thesis or Dissertation http://hdl.handle.net/1794/19708 en_US Creative Commons BY-NC-ND 4.0-US University of Oregon |
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en_US |
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Agriculture Education Homemaking Modernity Radio Rural |
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Agriculture Education Homemaking Modernity Radio Rural Chroman, Thea Broadcasting Public: Radio Station KOAC and the Making of Modern Citizens, 1923-1958 |
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In 1923 the Oregon Agricultural College began broadcasting market information and weather reports to farmers in the Willamette Valley. By 1958 the programming had expanded to include everything from symphonies to lectures in psychology. This thesis poses the following questions: How did the producers and funders of Station KOAC understand the medium’s potential to reach spaces they believed were isolated from the promise of modernity? What were the values that the state prioritized through its funding of Station KOAC? How did listeners understand and experience KOAC? Based on archival research, I argue that the station was recruited to welcome rural and domestic listeners into modernity and simultaneously task them with the maintenance of traditional institutions on which the state relied. However it also brought information and companionship to listeners, who claimed their own citizenship through state supported radio. |
author2 |
Soderlund, Gretchen |
author_facet |
Soderlund, Gretchen Chroman, Thea |
author |
Chroman, Thea |
author_sort |
Chroman, Thea |
title |
Broadcasting Public: Radio Station KOAC and the Making of Modern Citizens, 1923-1958 |
title_short |
Broadcasting Public: Radio Station KOAC and the Making of Modern Citizens, 1923-1958 |
title_full |
Broadcasting Public: Radio Station KOAC and the Making of Modern Citizens, 1923-1958 |
title_fullStr |
Broadcasting Public: Radio Station KOAC and the Making of Modern Citizens, 1923-1958 |
title_full_unstemmed |
Broadcasting Public: Radio Station KOAC and the Making of Modern Citizens, 1923-1958 |
title_sort |
broadcasting public: radio station koac and the making of modern citizens, 1923-1958 |
publisher |
University of Oregon |
publishDate |
2016 |
url |
http://hdl.handle.net/1794/19708 |
work_keys_str_mv |
AT chromanthea broadcastingpublicradiostationkoacandthemakingofmoderncitizens19231958 |
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