Music Theory and Arranging Techniques for the Church Musician
xxix, 356 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number. === The rising popularity of the use of "contemporary music" for worship in Christian churches has created an ever-growing body of music professio...
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ndltd-uoregon.edu-oai-scholarsbank.uoregon.edu-1794-108312018-12-20T05:47:49Z Music Theory and Arranging Techniques for the Church Musician Arblaster, Winston Vaughn, 1984- Church musicians Music theory Christian rock music Contemporary Christian music Contemporary Christian musicians xxix, 356 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number. The rising popularity of the use of "contemporary music" for worship in Christian churches has created an ever-growing body of music professionals who, coming largely from a rock-influenced folk idiom, are often untrained in music theory. As the style of music has shifted from the traditional model, stemming from classical genres, to one dominated by popular music, many of these musicians see theory education as impractical or at least unneeded given their particular stylistic approach. In order to address this issue, a method must be developed, departing from standard methods of theory pedagogy to one employing selected concepts and applications pertaining particularly to the context the contemporary worship setting and presenting them in a manner immediately beneficial to these musicians' vocational considerations. This thesis serves as a possible solution by proposing such a method and comparing it to the approaches of three major theory methods on these terms. Committee in Charge: Dr. Jack Boss; Dr. Timothy Pack; Don Latarski 2010-11-10T23:50:58Z 2010-11-10T23:50:58Z 2010-09 Thesis http://hdl.handle.net/1794/10831 en_US University of Oregon theses, School of Music and Dance, M.A., 2010; University of Oregon |
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Church musicians Music theory Christian rock music Contemporary Christian music Contemporary Christian musicians |
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Church musicians Music theory Christian rock music Contemporary Christian music Contemporary Christian musicians Arblaster, Winston Vaughn, 1984- Music Theory and Arranging Techniques for the Church Musician |
description |
xxix, 356 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number. === The rising popularity of the use of "contemporary music" for worship in
Christian churches has created an ever-growing body of music professionals who,
coming largely from a rock-influenced folk idiom, are often untrained in music
theory. As the style of music has shifted from the traditional model, stemming from
classical genres, to one dominated by popular music, many of these musicians see
theory education as impractical or at least unneeded given their particular stylistic
approach. In order to address this issue, a method must be developed, departing
from standard methods of theory pedagogy to one employing selected concepts and applications pertaining particularly to the context the contemporary worship
setting and presenting them in a manner immediately beneficial to these musicians'
vocational considerations. This thesis serves as a possible solution by proposing
such a method and comparing it to the approaches of three major theory methods
on these terms. === Committee in Charge: Dr. Jack Boss;
Dr. Timothy Pack;
Don Latarski |
author |
Arblaster, Winston Vaughn, 1984- |
author_facet |
Arblaster, Winston Vaughn, 1984- |
author_sort |
Arblaster, Winston Vaughn, 1984- |
title |
Music Theory and Arranging Techniques for the Church Musician |
title_short |
Music Theory and Arranging Techniques for the Church Musician |
title_full |
Music Theory and Arranging Techniques for the Church Musician |
title_fullStr |
Music Theory and Arranging Techniques for the Church Musician |
title_full_unstemmed |
Music Theory and Arranging Techniques for the Church Musician |
title_sort |
music theory and arranging techniques for the church musician |
publisher |
University of Oregon |
publishDate |
2010 |
url |
http://hdl.handle.net/1794/10831 |
work_keys_str_mv |
AT arblasterwinstonvaughn1984 musictheoryandarrangingtechniquesforthechurchmusician |
_version_ |
1718803693001768960 |