A Narrative Study about the Transformative Visual Cultural Dialogue beyond Women's Veils

In this narrative study, I explore the transformative visual cultural dialogue behind the sight of the veil or veiled women in Denton, Texas as a Western culture. The narrative is constructed from the experiences of three Western non-Muslim women participants who wore the veil publicly in the Dallas...

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Bibliographic Details
Main Author: Aljebreen, Fahad Mohammad
Other Authors: Acuff, Joni
Format: Others
Language:English
Published: University of North Texas 2016
Subjects:
Online Access:https://digital.library.unt.edu/ark:/67531/metadc862731/
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spelling ndltd-unt.edu-info-ark-67531-metadc8627312019-02-16T05:28:05Z A Narrative Study about the Transformative Visual Cultural Dialogue beyond Women's Veils Aljebreen, Fahad Mohammad veil visual culture Muslim women non-Muslim women negative meaning In this narrative study, I explore the transformative visual cultural dialogue behind the sight of the veil or veiled women in Denton, Texas as a Western culture. The narrative is constructed from the experiences of three Western non-Muslim women participants who wore the veil publicly in the Dallas-Fort Worth area, especially Denton, Texas, for about two weeks, in the spring of 2014. The main question for this study is: How do veiled Western women incite transformative visual cultural dialogue and ideas concerning veiled women? To gather rich data to answer the study's question, I utilized qualitative narrative inquiry to explore the transformative dialogue that the veil, as a visual culture object, can incite in non-Muslim Western women's narratives. The study involves three participants who are non-Muslim American women who voluntarily wore the veil in public and recorded their own and other's reactions. The participants' interviews and diaries demonstrated that the veil incited a particular perceptive dialogue and often transferred negative meanings. For example, the sight of the veil suggested the notion of being Muslim, and consequently, the ideas of not belonging. The reactions the participants received were either negative verbal interactions or physical ones, both of which are limited in this study to face gestures or some form of negative body language that is meant to be a message of disliking. In summation, this study shows that the women's veil is a visual culture symbol that transfers negative meaning in the DFW area in Texas. University of North Texas Acuff, Joni Evans, Laura Barrett, Terry Lewis, Tyson 2016-08 Thesis or Dissertation Text local-cont-no: submission_391 https://digital.library.unt.edu/ark:/67531/metadc862731/ ark: ark:/67531/metadc862731 English Public Aljebreen, Fahad Mohammad Copyright Copyright is held by the author, unless otherwise noted. All rights Reserved.
collection NDLTD
language English
format Others
sources NDLTD
topic veil
visual culture
Muslim women
non-Muslim women
negative meaning
spellingShingle veil
visual culture
Muslim women
non-Muslim women
negative meaning
Aljebreen, Fahad Mohammad
A Narrative Study about the Transformative Visual Cultural Dialogue beyond Women's Veils
description In this narrative study, I explore the transformative visual cultural dialogue behind the sight of the veil or veiled women in Denton, Texas as a Western culture. The narrative is constructed from the experiences of three Western non-Muslim women participants who wore the veil publicly in the Dallas-Fort Worth area, especially Denton, Texas, for about two weeks, in the spring of 2014. The main question for this study is: How do veiled Western women incite transformative visual cultural dialogue and ideas concerning veiled women? To gather rich data to answer the study's question, I utilized qualitative narrative inquiry to explore the transformative dialogue that the veil, as a visual culture object, can incite in non-Muslim Western women's narratives. The study involves three participants who are non-Muslim American women who voluntarily wore the veil in public and recorded their own and other's reactions. The participants' interviews and diaries demonstrated that the veil incited a particular perceptive dialogue and often transferred negative meanings. For example, the sight of the veil suggested the notion of being Muslim, and consequently, the ideas of not belonging. The reactions the participants received were either negative verbal interactions or physical ones, both of which are limited in this study to face gestures or some form of negative body language that is meant to be a message of disliking. In summation, this study shows that the women's veil is a visual culture symbol that transfers negative meaning in the DFW area in Texas.
author2 Acuff, Joni
author_facet Acuff, Joni
Aljebreen, Fahad Mohammad
author Aljebreen, Fahad Mohammad
author_sort Aljebreen, Fahad Mohammad
title A Narrative Study about the Transformative Visual Cultural Dialogue beyond Women's Veils
title_short A Narrative Study about the Transformative Visual Cultural Dialogue beyond Women's Veils
title_full A Narrative Study about the Transformative Visual Cultural Dialogue beyond Women's Veils
title_fullStr A Narrative Study about the Transformative Visual Cultural Dialogue beyond Women's Veils
title_full_unstemmed A Narrative Study about the Transformative Visual Cultural Dialogue beyond Women's Veils
title_sort narrative study about the transformative visual cultural dialogue beyond women's veils
publisher University of North Texas
publishDate 2016
url https://digital.library.unt.edu/ark:/67531/metadc862731/
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