Mikrokosmos and 32 Piano Games: Introducing Contemporary Musical Language and Developing Piano Technique for the Beginning Student
As new musical styles have emerged in the twentieth century with characteristic sounds, chords, forms, meters, and intervals, teachers need to broaden and re-define the way they introduce musical concepts to beginning piano students. The purpose of this study is to offer different instructional poss...
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ndltd-unt.edu-info-ark-67531-metadc842792020-07-15T07:09:31Z Mikrokosmos and 32 Piano Games: Introducing Contemporary Musical Language and Developing Piano Technique for the Beginning Student Song, Hyun-Joo mikrokosmos piano pedagogy 32 Piano Games As new musical styles have emerged in the twentieth century with characteristic sounds, chords, forms, meters, and intervals, teachers need to broaden and re-define the way they introduce musical concepts to beginning piano students. The purpose of this study is to offer different instructional possibilities aside from conventional methods of teaching beginning pianists. This is accomplished through a comparison of the two different approaches of the Hungarian composer Béla Bartók and the American composer Ross Lee Finney. Bartók’s Mikrokosmos, a graded set of 153 pieces, and Finney's 32 Piano Games are examined through this paper. University of North Texas Paul, Pamela Mia Puccinelli, Elvia L. Romero, Gustavo 2011-08 Thesis or Dissertation Text https://digital.library.unt.edu/ark:/67531/metadc84279/ ark: ark:/67531/metadc84279 English Lecture recital: April 5, 2011, ark:/67531/metadc172001 Public Song, Hyun-Joo Copyright Copyright is held by the author, unless otherwise noted. All rights reserved. |
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English |
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mikrokosmos piano pedagogy 32 Piano Games |
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mikrokosmos piano pedagogy 32 Piano Games Song, Hyun-Joo Mikrokosmos and 32 Piano Games: Introducing Contemporary Musical Language and Developing Piano Technique for the Beginning Student |
description |
As new musical styles have emerged in the twentieth century with characteristic sounds, chords, forms, meters, and intervals, teachers need to broaden and re-define the way they introduce musical concepts to beginning piano students. The purpose of this study is to offer different instructional possibilities aside from conventional methods of teaching beginning pianists. This is accomplished through a comparison of the two different approaches of the Hungarian composer Béla Bartók and the American composer Ross Lee Finney. Bartók’s Mikrokosmos, a graded set of 153 pieces, and Finney's 32 Piano Games are examined through this paper. |
author2 |
Paul, Pamela Mia |
author_facet |
Paul, Pamela Mia Song, Hyun-Joo |
author |
Song, Hyun-Joo |
author_sort |
Song, Hyun-Joo |
title |
Mikrokosmos and 32 Piano Games: Introducing Contemporary Musical Language and Developing Piano Technique for the Beginning Student |
title_short |
Mikrokosmos and 32 Piano Games: Introducing Contemporary Musical Language and Developing Piano Technique for the Beginning Student |
title_full |
Mikrokosmos and 32 Piano Games: Introducing Contemporary Musical Language and Developing Piano Technique for the Beginning Student |
title_fullStr |
Mikrokosmos and 32 Piano Games: Introducing Contemporary Musical Language and Developing Piano Technique for the Beginning Student |
title_full_unstemmed |
Mikrokosmos and 32 Piano Games: Introducing Contemporary Musical Language and Developing Piano Technique for the Beginning Student |
title_sort |
mikrokosmos and 32 piano games: introducing contemporary musical language and developing piano technique for the beginning student |
publisher |
University of North Texas |
publishDate |
2011 |
url |
https://digital.library.unt.edu/ark:/67531/metadc84279/ |
work_keys_str_mv |
AT songhyunjoo mikrokosmosand32pianogamesintroducingcontemporarymusicallanguageanddevelopingpianotechniqueforthebeginningstudent |
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1719329120515522560 |