An Instructional Guide to Teaching Kurtág’s Játékok Volume I to Beginning and Intermediate Piano Students

Pedagogical methods in piano instruction are constantly evolving. Traditional approaches for beginning students typically focus on teaching music theory and developing the skills necessary to read music. Some contemporary methods, however, are centered on training students to use their whole body wh...

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Bibliographic Details
Main Author: Jang, Jeongwook
Other Authors: Wodnicki, Adam
Format: Others
Language:English
Published: University of North Texas 2015
Subjects:
Online Access:https://digital.library.unt.edu/ark:/67531/metadc801950/
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spelling ndltd-unt.edu-info-ark-67531-metadc8019502020-07-15T07:09:31Z An Instructional Guide to Teaching Kurtág’s Játékok Volume I to Beginning and Intermediate Piano Students Jang, Jeongwook Kurtag Jatekok piano Pedagogical methods in piano instruction are constantly evolving. Traditional approaches for beginning students typically focus on teaching music theory and developing the skills necessary to read music. Some contemporary methods, however, are centered on training students to use their whole body while playing the instrument. These more recent methodologies allow students to bond with the piano in a more personal manner, as if they were playing a game with a big toy. One of the most representative works of this approach is the eight-volume collection Játékok (1973) by György Kurtág (b.1926). Volume 1 of Játékok consists of short pieces featuring a new graphic notation devised by Kurtág himself. It also incorporates the use of unusual piano techniques, such as playing with the palm, fist, and forearm. The method also explores the use of the entire range of the instrument. Though the work is over 40 years old, Játékok is only infrequently used as a teaching tool for piano instructors in Hungary, and is unknown in the United States. This probably stems from the fact that it presents students and teachers with atypical musical elements such as unusual notation, use of an unlimited register, and pieces that feature varying degrees of difficulty within the same volume. This study provides a guideline which will assist instructors in implementing Játékok’s Volume 1 effectively as a pedagogical tool by introducing instructor’s teaching content, rearranging the original order of pieces in ascending level of difficulty, and providing a methodology to creatively teach the three most significant musical skills to be developed through Volume 1. University of North Texas Wodnicki, Adam Puccinelli, Elvia L. Banowetz, Joseph 2015-05 Thesis or Dissertation vi, 46 p. : col. ill. Text https://digital.library.unt.edu/ark:/67531/metadc801950/ ark: ark:/67531/metadc801950 English Recital: November 20, 2012, ark:/67531/metadc171826 Recital: November 2, 2011, ark:/67531/metadc172021 Public Jang, Jeongwook Copyright Copyright is held by the author, unless otherwise noted. All rights reserved.
collection NDLTD
language English
format Others
sources NDLTD
topic Kurtag
Jatekok
piano
spellingShingle Kurtag
Jatekok
piano
Jang, Jeongwook
An Instructional Guide to Teaching Kurtág’s Játékok Volume I to Beginning and Intermediate Piano Students
description Pedagogical methods in piano instruction are constantly evolving. Traditional approaches for beginning students typically focus on teaching music theory and developing the skills necessary to read music. Some contemporary methods, however, are centered on training students to use their whole body while playing the instrument. These more recent methodologies allow students to bond with the piano in a more personal manner, as if they were playing a game with a big toy. One of the most representative works of this approach is the eight-volume collection Játékok (1973) by György Kurtág (b.1926). Volume 1 of Játékok consists of short pieces featuring a new graphic notation devised by Kurtág himself. It also incorporates the use of unusual piano techniques, such as playing with the palm, fist, and forearm. The method also explores the use of the entire range of the instrument. Though the work is over 40 years old, Játékok is only infrequently used as a teaching tool for piano instructors in Hungary, and is unknown in the United States. This probably stems from the fact that it presents students and teachers with atypical musical elements such as unusual notation, use of an unlimited register, and pieces that feature varying degrees of difficulty within the same volume. This study provides a guideline which will assist instructors in implementing Játékok’s Volume 1 effectively as a pedagogical tool by introducing instructor’s teaching content, rearranging the original order of pieces in ascending level of difficulty, and providing a methodology to creatively teach the three most significant musical skills to be developed through Volume 1.
author2 Wodnicki, Adam
author_facet Wodnicki, Adam
Jang, Jeongwook
author Jang, Jeongwook
author_sort Jang, Jeongwook
title An Instructional Guide to Teaching Kurtág’s Játékok Volume I to Beginning and Intermediate Piano Students
title_short An Instructional Guide to Teaching Kurtág’s Játékok Volume I to Beginning and Intermediate Piano Students
title_full An Instructional Guide to Teaching Kurtág’s Játékok Volume I to Beginning and Intermediate Piano Students
title_fullStr An Instructional Guide to Teaching Kurtág’s Játékok Volume I to Beginning and Intermediate Piano Students
title_full_unstemmed An Instructional Guide to Teaching Kurtág’s Játékok Volume I to Beginning and Intermediate Piano Students
title_sort instructional guide to teaching kurtág’s játékok volume i to beginning and intermediate piano students
publisher University of North Texas
publishDate 2015
url https://digital.library.unt.edu/ark:/67531/metadc801950/
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