The role of textural design in the music of Olivier Messiaen: a study of Couleurs de la cité céleste

This study first traces the evolution of a new musical design, one which emphasizes textual elements in the structural foundation. It follows with an account of the life and musical style of Olivier Messian, a contemporary composer who has emphasized timbre as a structural parameter in his music - m...

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Bibliographic Details
Main Author: Wallendorf, Paulette Sue
Format: Others
Language:English
Published: North Texas State University 1981
Subjects:
Online Access:https://digital.library.unt.edu/ark:/67531/metadc798306/
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spelling ndltd-unt.edu-info-ark-67531-metadc7983062017-08-02T05:14:10Z The role of textural design in the music of Olivier Messiaen: a study of Couleurs de la cité céleste Wallendorf, Paulette Sue musical composition tone color Olivier Messiaen timbre This study first traces the evolution of a new musical design, one which emphasizes textual elements in the structural foundation. It follows with an account of the life and musical style of Olivier Messian, a contemporary composer who has emphasized timbre as a structural parameter in his music - most notably in several works of the sixties. An analysis of his Couleurs de la Cité Céleste (1963) is offered in the final chapter, indicating in particular the important role that timbre, as well as other textual elements, plays on forming the large-scale design. North Texas State University 1981-08 Thesis or Dissertation Text local-cont-no: 1002776002-Wallendorf https://digital.library.unt.edu/ark:/67531/metadc798306/ ark: ark:/67531/metadc798306 English Public Copyright Copyright is held by the author, unless otherwise noted. All rights
collection NDLTD
language English
format Others
sources NDLTD
topic musical composition
tone color
Olivier Messiaen
timbre
spellingShingle musical composition
tone color
Olivier Messiaen
timbre
Wallendorf, Paulette Sue
The role of textural design in the music of Olivier Messiaen: a study of Couleurs de la cité céleste
description This study first traces the evolution of a new musical design, one which emphasizes textual elements in the structural foundation. It follows with an account of the life and musical style of Olivier Messian, a contemporary composer who has emphasized timbre as a structural parameter in his music - most notably in several works of the sixties. An analysis of his Couleurs de la Cité Céleste (1963) is offered in the final chapter, indicating in particular the important role that timbre, as well as other textual elements, plays on forming the large-scale design.
author Wallendorf, Paulette Sue
author_facet Wallendorf, Paulette Sue
author_sort Wallendorf, Paulette Sue
title The role of textural design in the music of Olivier Messiaen: a study of Couleurs de la cité céleste
title_short The role of textural design in the music of Olivier Messiaen: a study of Couleurs de la cité céleste
title_full The role of textural design in the music of Olivier Messiaen: a study of Couleurs de la cité céleste
title_fullStr The role of textural design in the music of Olivier Messiaen: a study of Couleurs de la cité céleste
title_full_unstemmed The role of textural design in the music of Olivier Messiaen: a study of Couleurs de la cité céleste
title_sort role of textural design in the music of olivier messiaen: a study of couleurs de la cité céleste
publisher North Texas State University
publishDate 1981
url https://digital.library.unt.edu/ark:/67531/metadc798306/
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