The role of textural design in the music of Olivier Messiaen: a study of Couleurs de la cité céleste
This study first traces the evolution of a new musical design, one which emphasizes textual elements in the structural foundation. It follows with an account of the life and musical style of Olivier Messian, a contemporary composer who has emphasized timbre as a structural parameter in his music - m...
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North Texas State University
1981
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ndltd-unt.edu-info-ark-67531-metadc7983062017-08-02T05:14:10Z The role of textural design in the music of Olivier Messiaen: a study of Couleurs de la cité céleste Wallendorf, Paulette Sue musical composition tone color Olivier Messiaen timbre This study first traces the evolution of a new musical design, one which emphasizes textual elements in the structural foundation. It follows with an account of the life and musical style of Olivier Messian, a contemporary composer who has emphasized timbre as a structural parameter in his music - most notably in several works of the sixties. An analysis of his Couleurs de la Cité Céleste (1963) is offered in the final chapter, indicating in particular the important role that timbre, as well as other textual elements, plays on forming the large-scale design. North Texas State University 1981-08 Thesis or Dissertation Text local-cont-no: 1002776002-Wallendorf https://digital.library.unt.edu/ark:/67531/metadc798306/ ark: ark:/67531/metadc798306 English Public Copyright Copyright is held by the author, unless otherwise noted. All rights |
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language |
English |
format |
Others
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sources |
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musical composition tone color Olivier Messiaen timbre |
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musical composition tone color Olivier Messiaen timbre Wallendorf, Paulette Sue The role of textural design in the music of Olivier Messiaen: a study of Couleurs de la cité céleste |
description |
This study first traces the evolution of a new musical design, one which emphasizes textual elements in the structural foundation. It follows with an account of the life and musical style of Olivier Messian, a contemporary composer who has emphasized timbre as a structural parameter in his music - most notably in several works of the sixties. An analysis of his Couleurs de la Cité Céleste (1963) is offered in the final chapter, indicating in particular the important role that timbre, as well as other textual elements, plays on forming the large-scale design. |
author |
Wallendorf, Paulette Sue |
author_facet |
Wallendorf, Paulette Sue |
author_sort |
Wallendorf, Paulette Sue |
title |
The role of textural design in the music of Olivier Messiaen: a study of Couleurs de la cité céleste |
title_short |
The role of textural design in the music of Olivier Messiaen: a study of Couleurs de la cité céleste |
title_full |
The role of textural design in the music of Olivier Messiaen: a study of Couleurs de la cité céleste |
title_fullStr |
The role of textural design in the music of Olivier Messiaen: a study of Couleurs de la cité céleste |
title_full_unstemmed |
The role of textural design in the music of Olivier Messiaen: a study of Couleurs de la cité céleste |
title_sort |
role of textural design in the music of olivier messiaen: a study of couleurs de la cité céleste |
publisher |
North Texas State University |
publishDate |
1981 |
url |
https://digital.library.unt.edu/ark:/67531/metadc798306/ |
work_keys_str_mv |
AT wallendorfpaulettesue theroleoftexturaldesigninthemusicofoliviermessiaenastudyofcouleursdelaciteceleste AT wallendorfpaulettesue roleoftexturaldesigninthemusicofoliviermessiaenastudyofcouleursdelaciteceleste |
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1718511615869976576 |