History and Development of Theory of Lü: A Translation of Selected Chapters of Huang Ti-Pei's Perspectives of Chinese Music
This study first narrates on the importance of theory of lü-lü (theory of tone generation) in the history of Chinese music from the Chou Dynasty (ca. 400 B.C.) to the Chin Dynasty (ca. end of 19th century), its symbolism and ramification. The main body of this study is devoted to critical translatio...
Main Author: | Chen, Whey-Fen |
---|---|
Other Authors: | Cho, Gene J. |
Format: | Others |
Language: | English |
Published: |
North Texas State University
1985
|
Subjects: | |
Online Access: | https://digital.library.unt.edu/ark:/67531/metadc504186/ |
Similar Items
-
Tonal and "Anti-Tonal" Cognitive Structure in Viennese Twelve-Tone Rows
by: Paul T. von Hippel, et al.
Published: (2020-10-01) -
Trained Musical Performers' and Musically Untrained College Students' Ability to Discriminate Music Instrument Timbre as a Function of Duration
by: Johnston, Dennis A. (Dennis Alan)
Published: (1994) -
Interacting tonal processes in Susu
by: Christopher R. Green, et al.
Published: (2013-12-01) -
An exploration of the origins of and relationship between tonal aspects of music and langauge
by: Waxman, Victoria Anne
Published: (2018) -
The Expectancy Dynamics of Anti-Tonal Twelve-Tone Rows: A Commentary and Reanalysis of von Hippel & Huron (2020)
by: Niels Chr. Hansen
Published: (2020-10-01)