Blood Brothers
Blood Brothers as a media project works as a diptych. There are two – seemingly identical – pieces of the project that must both be experienced to understand the project as a whole. The first piece of the project is the linear documentary. This part captures the experience as it exists in the past....
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University of North Texas
2012
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ndltd-unt.edu-info-ark-67531-metadc1496562020-07-15T07:09:31Z Blood Brothers Quam, Jonathon David Trauma documentary child abuse Blood Brothers as a media project works as a diptych. There are two – seemingly identical – pieces of the project that must both be experienced to understand the project as a whole. The first piece of the project is the linear documentary. This part captures the experience as it exists in the past. It exists as a master copy of the original story of mine and my foster brother’s relationship. This version of the story will always exist in the past. The second part is the live-cinema documentary performance. In this version of the story, my foster brother and I are no longer only images on a screen; we are living, breathing, and emotional subjects in the present. Our presence alters how the audience consumes the material. University of North Texas Levin, C. Melinda Khalaf, Tania Stout, David, 1955- 2012-08 Thesis or Dissertation Text https://digital.library.unt.edu/ark:/67531/metadc149656/ ark: ark:/67531/metadc149656 English Public Quam, Jonathon David Copyright Copyright is held by the author, unless otherwise noted. All rights Reserved. |
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English |
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Others
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Trauma documentary child abuse |
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Trauma documentary child abuse Quam, Jonathon David Blood Brothers |
description |
Blood Brothers as a media project works as a diptych. There are two – seemingly identical – pieces of the project that must both be experienced to understand the project as a whole. The first piece of the project is the linear documentary. This part captures the experience as it exists in the past. It exists as a master copy of the original story of mine and my foster brother’s relationship. This version of the story will always exist in the past. The second part is the live-cinema documentary performance. In this version of the story, my foster brother and I are no longer only images on a screen; we are living, breathing, and emotional subjects in the present. Our presence alters how the audience consumes the material. |
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Levin, C. Melinda |
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Levin, C. Melinda Quam, Jonathon David |
author |
Quam, Jonathon David |
author_sort |
Quam, Jonathon David |
title |
Blood Brothers |
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Blood Brothers |
title_full |
Blood Brothers |
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Blood Brothers |
title_full_unstemmed |
Blood Brothers |
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blood brothers |
publisher |
University of North Texas |
publishDate |
2012 |
url |
https://digital.library.unt.edu/ark:/67531/metadc149656/ |
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AT quamjonathondavid bloodbrothers |
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1719328058295451648 |