Arabic 1620: An Analysis and Procedure for Composing Computer Music VOL. 2
Computers are used in the music field for generation of sound, for composing music, for analysis of music, and for musicological applications, such as cataloguing a bibliography of music literature. These areas are relatively new aspects of computer usage, and research is being conducted to stay abr...
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North Texas State University
1968
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ndltd-unt.edu-info-ark-67531-metadc13937032021-12-01T05:39:02Z Arabic 1620: An Analysis and Procedure for Composing Computer Music VOL. 2 Lott, William Loyd Computers are used in the music field for generation of sound, for composing music, for analysis of music, and for musicological applications, such as cataloguing a bibliography of music literature. These areas are relatively new aspects of computer usage, and research is being conducted to stay abreast of current technological advancements. Avant-garde composers are challenged by new advances in music. Computer-generated music is one of the new trends, but the composer is usually limited in the use of the medium for two reasons: there are no computers to which he may have access, and/or there is not enough knowledge about computer-generated music. The composer sometimes feels that he must have vast knowledge of the computer before he can attempt to use it in musical composition; however, a limited amount of investigation of computer-generated music has shown that methods can be codified to the point where great technical knowledge is not required of the composer. North Texas State University 1968-08 Thesis or Dissertation 1 score (19 leaves) Text local-cont-no: 1002774315-Lott-V2 call-no: 379 N81 no.3766 oclc: 42189951 untcat: b21536156 https://digital.library.unt.edu/ark:/67531/metadc1393703/ ark: ark:/67531/metadc1393703 English ark:/67531/metadc798459 Public Lott, William Loyd Copyright Copyright is held by the author, unless otherwise noted. All rights |
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NDLTD |
language |
English |
format |
Others
|
sources |
NDLTD |
description |
Computers are used in the music field for generation of sound, for composing music, for analysis of music, and for musicological applications, such as cataloguing a bibliography of music literature. These areas are relatively new aspects of computer usage, and research is being conducted to stay abreast of current technological advancements. Avant-garde composers are challenged by new advances in music. Computer-generated music is one of the new trends, but the composer is usually limited in the use of the medium for two reasons: there are no computers to which he may have access, and/or there is not enough knowledge about computer-generated music. The composer sometimes feels that he must have vast knowledge of the computer before he can attempt to use it in musical composition; however, a limited amount of investigation of computer-generated music has shown that methods can be codified to the point where great technical knowledge is not required of the composer. |
author |
Lott, William Loyd |
spellingShingle |
Lott, William Loyd Arabic 1620: An Analysis and Procedure for Composing Computer Music VOL. 2 |
author_facet |
Lott, William Loyd |
author_sort |
Lott, William Loyd |
title |
Arabic 1620: An Analysis and Procedure for Composing Computer Music VOL. 2 |
title_short |
Arabic 1620: An Analysis and Procedure for Composing Computer Music VOL. 2 |
title_full |
Arabic 1620: An Analysis and Procedure for Composing Computer Music VOL. 2 |
title_fullStr |
Arabic 1620: An Analysis and Procedure for Composing Computer Music VOL. 2 |
title_full_unstemmed |
Arabic 1620: An Analysis and Procedure for Composing Computer Music VOL. 2 |
title_sort |
arabic 1620: an analysis and procedure for composing computer music vol. 2 |
publisher |
North Texas State University |
publishDate |
1968 |
url |
https://digital.library.unt.edu/ark:/67531/metadc1393703/ |
work_keys_str_mv |
AT lottwilliamloyd arabic1620ananalysisandprocedureforcomposingcomputermusicvol2 |
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1723963467890688000 |