Three Movements for Orchestra

Three Movements for Orchestra

Three Movements for Orchestra is an electric work which utilizes many compositional devices such as isorhythm, serialism, cantus firmus, Klangfarbenmelodie, thematic transformation and development, mixed meters, and counterpoint. The contrapuntal emphasis can be easily seen in the first and third mo...

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Bibliographic Details
Main Author: Peterson, Keith Lynn, 1942-
Format: Others
Language:English
Published: North Texas State University 1977
Subjects:
scores
original composition
orchestral music
Online Access:https://digital.library.unt.edu/ark:/67531/metadc1038764/
id ndltd-unt.edu-info-ark-67531-metadc1038764
record_format oai_dc
spelling ndltd-unt.edu-info-ark-67531-metadc10387642018-08-07T06:09:53Z Three Movements for Orchestra Peterson, Keith Lynn, 1942- scores original composition orchestral music Three Movements for Orchestra is an electric work which utilizes many compositional devices such as isorhythm, serialism, cantus firmus, Klangfarbenmelodie, thematic transformation and development, mixed meters, and counterpoint. The contrapuntal emphasis can be easily seen in the first and third movements' resemblance to the passacaglia and fugue, respectively. The second movement combines elements of the outer movements and functions as a rather large interlude or transition between them. The total duration is approximately fifteen minutes. North Texas State University 1977-08 Thesis or Dissertation 1 score (xviii leaves, 64 p.) : ill. Text local-cont-no: 1002743853-Peterson https://digital.library.unt.edu/ark:/67531/metadc1038764/ ark: ark:/67531/metadc1038764 English Public Copyright Copyright is held by the author, unless otherwise noted. All rights
collection NDLTD
language English
format Others
sources NDLTD
topic scores
original composition
orchestral music
spellingShingle scores
original composition
orchestral music
Peterson, Keith Lynn, 1942-
Three Movements for Orchestra
description Three Movements for Orchestra is an electric work which utilizes many compositional devices such as isorhythm, serialism, cantus firmus, Klangfarbenmelodie, thematic transformation and development, mixed meters, and counterpoint. The contrapuntal emphasis can be easily seen in the first and third movements' resemblance to the passacaglia and fugue, respectively. The second movement combines elements of the outer movements and functions as a rather large interlude or transition between them. The total duration is approximately fifteen minutes.
author Peterson, Keith Lynn, 1942-
author_facet Peterson, Keith Lynn, 1942-
author_sort Peterson, Keith Lynn, 1942-
title Three Movements for Orchestra
title_short Three Movements for Orchestra
title_full Three Movements for Orchestra
title_fullStr Three Movements for Orchestra
title_full_unstemmed Three Movements for Orchestra
title_sort three movements for orchestra
publisher North Texas State University
publishDate 1977
url https://digital.library.unt.edu/ark:/67531/metadc1038764/
work_keys_str_mv AT petersonkeithlynn1942 threemovementsfororchestra
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