Las grandes transparencias: Dada y surrealismo en los libros-collage de Julio Cortázar

The topic of this research is to demonstrate the technical and conceptual connections which can be seen between the style adopted by the Argentinean writer Julio Cortázar (1914-1984) in his “collage” books La vuelta al día en ochenta mundos (1967) and Último round (1969) and with the avant-garde art...

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Bibliographic Details
Main Author: Ontoria, Mercedes <1978>
Other Authors: Marchetti, Giovanni Gentile
Format: Doctoral Thesis
Language:es
Published: Alma Mater Studiorum - Università di Bologna 2011
Subjects:
Online Access:http://amsdottorato.unibo.it/3826/
Description
Summary:The topic of this research is to demonstrate the technical and conceptual connections which can be seen between the style adopted by the Argentinean writer Julio Cortázar (1914-1984) in his “collage” books La vuelta al día en ochenta mundos (1967) and Último round (1969) and with the avant-garde art movements Dada and Surrealism.