Transition

TRANSITION is an installation of films that engages the histories of the bombings of Hiroshima and Nagasaki to the meltdown of Fukushima Daiichi in 2011—it is an attempt to bridge the gap of nuclear issues that are still present today. I redirect found images from...

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Bibliographic Details
Main Author: Izumo, Naoki
Other Authors: Rich, Jeff, 1977-
Format: Others
Language:English
Published: University of Iowa 2016
Subjects:
Online Access:https://ir.uiowa.edu/etd/2094
https://ir.uiowa.edu/cgi/viewcontent.cgi?article=6643&context=etd
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spelling ndltd-uiowa.edu-oai-ir.uiowa.edu-etd-66432019-10-13T04:36:35Z Transition Izumo, Naoki TRANSITION is an installation of films that engages the histories of the bombings of Hiroshima and Nagasaki to the meltdown of Fukushima Daiichi in 2011—it is an attempt to bridge the gap of nuclear issues that are still present today. I redirect found images from their institutional contexts to reposition them as a dialogue between the archival and my own footage. All histories are told through media, and all mediations are remediation of the event. Histories are never fixed, but are constantly reproduced by different groups who are involved. The past and the present must always be interconnected, contesting the importance to understand the fluidity and intersectionality of histories. 2016-07-01T07:00:00Z thesis application/pdf https://ir.uiowa.edu/etd/2094 https://ir.uiowa.edu/cgi/viewcontent.cgi?article=6643&context=etd Copyright 2016 Naoki Izumo Theses and Dissertations eng University of IowaRich, Jeff, 1977- Kanouse, Sarah E. Japan Art Practice
collection NDLTD
language English
format Others
sources NDLTD
topic Japan
Art Practice
spellingShingle Japan
Art Practice
Izumo, Naoki
Transition
description TRANSITION is an installation of films that engages the histories of the bombings of Hiroshima and Nagasaki to the meltdown of Fukushima Daiichi in 2011—it is an attempt to bridge the gap of nuclear issues that are still present today. I redirect found images from their institutional contexts to reposition them as a dialogue between the archival and my own footage. All histories are told through media, and all mediations are remediation of the event. Histories are never fixed, but are constantly reproduced by different groups who are involved. The past and the present must always be interconnected, contesting the importance to understand the fluidity and intersectionality of histories.
author2 Rich, Jeff, 1977-
author_facet Rich, Jeff, 1977-
Izumo, Naoki
author Izumo, Naoki
author_sort Izumo, Naoki
title Transition
title_short Transition
title_full Transition
title_fullStr Transition
title_full_unstemmed Transition
title_sort transition
publisher University of Iowa
publishDate 2016
url https://ir.uiowa.edu/etd/2094
https://ir.uiowa.edu/cgi/viewcontent.cgi?article=6643&context=etd
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