The art songs of Thomas Pasatieri: a discussion of the pedagogical uses within the private voice studio

Thomas Pasatieri is a prolific American composer of the twentieth and twenty-first centuries. Although Pasatieri is best known as an opera composer, he has composed in many different genres, and his numerous art songs have often been overlooked. This study evaluates Pasatieri's currently publis...

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Main Author: Allnatt Mallory, Leslie Jane
Other Authors: Muriello, John
Format: Others
Language:English
Published: University of Iowa 2016
Subjects:
Online Access:https://ir.uiowa.edu/etd/3037
https://ir.uiowa.edu/cgi/viewcontent.cgi?article=6381&context=etd
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spelling ndltd-uiowa.edu-oai-ir.uiowa.edu-etd-63812019-10-13T04:41:32Z The art songs of Thomas Pasatieri: a discussion of the pedagogical uses within the private voice studio Allnatt Mallory, Leslie Jane Thomas Pasatieri is a prolific American composer of the twentieth and twenty-first centuries. Although Pasatieri is best known as an opera composer, he has composed in many different genres, and his numerous art songs have often been overlooked. This study evaluates Pasatieri's currently published song catalog and divides it into three groups of songs that correspond to the varying pedagogical needs of students. The first group presented in this document addresses the needs of the beginning vocal student. The songs are harmonically tonal, textually accessible, rhythmically uncomplicated, and metrically stable. The second group is more appropriate for the intermediate singer. The songs are highly chromatic and their harmonic progressions do not necessarily follow the rules of functional tonality; the texts are longer and more complex, the rhythmic and metric content are likewise more difficult, and the melodies are more disjunct, often exploring the extremes of the vocal range. The third and final group is most suitable for the advanced singer. The harmonies are challenging and explore an array of organizations, the texts are esoteric, the melodies are often unified through recurring motivic gestures, and the songs rarely contain any formal repetition. These groupings are intended to help teachers and students choose repertoire from Pasatieri's oeuvre that suit each individual student. This study includes a discussion of representative songs from each group within the chapters and a catalogue of all of Pasatieri's published songs arranged by group in the appendices. 2016-05-01T07:00:00Z dissertation application/pdf https://ir.uiowa.edu/etd/3037 https://ir.uiowa.edu/cgi/viewcontent.cgi?article=6381&context=etd Copyright 2016 Leslie Jane Allnatt Mallory Theses and Dissertations eng University of IowaMuriello, John publicabstract Song Repertoire Thomas Pasatieri Vocal Pedagogy Voice Music
collection NDLTD
language English
format Others
sources NDLTD
topic publicabstract
Song Repertoire
Thomas Pasatieri
Vocal Pedagogy
Voice
Music
spellingShingle publicabstract
Song Repertoire
Thomas Pasatieri
Vocal Pedagogy
Voice
Music
Allnatt Mallory, Leslie Jane
The art songs of Thomas Pasatieri: a discussion of the pedagogical uses within the private voice studio
description Thomas Pasatieri is a prolific American composer of the twentieth and twenty-first centuries. Although Pasatieri is best known as an opera composer, he has composed in many different genres, and his numerous art songs have often been overlooked. This study evaluates Pasatieri's currently published song catalog and divides it into three groups of songs that correspond to the varying pedagogical needs of students. The first group presented in this document addresses the needs of the beginning vocal student. The songs are harmonically tonal, textually accessible, rhythmically uncomplicated, and metrically stable. The second group is more appropriate for the intermediate singer. The songs are highly chromatic and their harmonic progressions do not necessarily follow the rules of functional tonality; the texts are longer and more complex, the rhythmic and metric content are likewise more difficult, and the melodies are more disjunct, often exploring the extremes of the vocal range. The third and final group is most suitable for the advanced singer. The harmonies are challenging and explore an array of organizations, the texts are esoteric, the melodies are often unified through recurring motivic gestures, and the songs rarely contain any formal repetition. These groupings are intended to help teachers and students choose repertoire from Pasatieri's oeuvre that suit each individual student. This study includes a discussion of representative songs from each group within the chapters and a catalogue of all of Pasatieri's published songs arranged by group in the appendices.
author2 Muriello, John
author_facet Muriello, John
Allnatt Mallory, Leslie Jane
author Allnatt Mallory, Leslie Jane
author_sort Allnatt Mallory, Leslie Jane
title The art songs of Thomas Pasatieri: a discussion of the pedagogical uses within the private voice studio
title_short The art songs of Thomas Pasatieri: a discussion of the pedagogical uses within the private voice studio
title_full The art songs of Thomas Pasatieri: a discussion of the pedagogical uses within the private voice studio
title_fullStr The art songs of Thomas Pasatieri: a discussion of the pedagogical uses within the private voice studio
title_full_unstemmed The art songs of Thomas Pasatieri: a discussion of the pedagogical uses within the private voice studio
title_sort art songs of thomas pasatieri: a discussion of the pedagogical uses within the private voice studio
publisher University of Iowa
publishDate 2016
url https://ir.uiowa.edu/etd/3037
https://ir.uiowa.edu/cgi/viewcontent.cgi?article=6381&context=etd
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