Concerto for Organ and Chamber Orchestra
This composition proposes and implements a way in which to incorporate the pipe organ into a contemporary instrumental setting. Considering the instrument's wide use in concert halls and its popularity with contemporary music, much of the timbre-based music has evaded incorporating it into its...
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University of Iowa
2013
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ndltd-uiowa.edu-oai-ir.uiowa.edu-etd-50322019-10-13T04:45:37Z Concerto for Organ and Chamber Orchestra Omelchenko, Stas This composition proposes and implements a way in which to incorporate the pipe organ into a contemporary instrumental setting. Considering the instrument's wide use in concert halls and its popularity with contemporary music, much of the timbre-based music has evaded incorporating it into its settings; for one reason or another, there are currently no timbre-based works composed for organ and chamber orchestra. By using the process of spectral analysis, this timbre-based composition demonstrates one possible way of doing so by investigating timbre similarities and differences between selected ranks of the organ and selected orchestral instruments and mapping them into pitch structures. 2013-12-01T08:00:00Z dissertation application/pdf https://ir.uiowa.edu/etd/5032 https://ir.uiowa.edu/cgi/viewcontent.cgi?article=5032&context=etd Copyright 2013 Stas Omelchenko Theses and Dissertations eng University of IowaFritts, Lawrence Chamber orchestra Concerto Instrumental setting Organ Spectral analysis Timbre-based music Music |
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English |
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Others
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Chamber orchestra Concerto Instrumental setting Organ Spectral analysis Timbre-based music Music |
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Chamber orchestra Concerto Instrumental setting Organ Spectral analysis Timbre-based music Music Omelchenko, Stas Concerto for Organ and Chamber Orchestra |
description |
This composition proposes and implements a way in which to incorporate the pipe organ into a contemporary instrumental setting. Considering the instrument's wide use in concert halls and its popularity with contemporary music, much of the timbre-based music has evaded incorporating it into its settings; for one reason or another, there are currently no timbre-based works composed for organ and chamber orchestra. By using the process of spectral analysis, this timbre-based composition demonstrates one possible way of doing so by investigating timbre similarities and differences between selected ranks of the organ and selected orchestral instruments and mapping them into pitch structures. |
author2 |
Fritts, Lawrence |
author_facet |
Fritts, Lawrence Omelchenko, Stas |
author |
Omelchenko, Stas |
author_sort |
Omelchenko, Stas |
title |
Concerto for Organ and Chamber Orchestra |
title_short |
Concerto for Organ and Chamber Orchestra |
title_full |
Concerto for Organ and Chamber Orchestra |
title_fullStr |
Concerto for Organ and Chamber Orchestra |
title_full_unstemmed |
Concerto for Organ and Chamber Orchestra |
title_sort |
concerto for organ and chamber orchestra |
publisher |
University of Iowa |
publishDate |
2013 |
url |
https://ir.uiowa.edu/etd/5032 https://ir.uiowa.edu/cgi/viewcontent.cgi?article=5032&context=etd |
work_keys_str_mv |
AT omelchenkostas concertofororganandchamberorchestra |
_version_ |
1719264807609171968 |