Crossover narratives: intersections of race, genre and authenticity in unpopular popular music
This thesis analyzes the construction of racialized notions of authenticity within American popular musical genres across the span of the 20th Century, but especially from a crucial period between the years 1938 and 1965. In these pages I argue that the discursive...
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| Format: | Others |
| Language: | English |
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University of Iowa
2012
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| Online Access: | https://ir.uiowa.edu/etd/2904 https://ir.uiowa.edu/cgi/viewcontent.cgi?article=3051&context=etd |