From woman to chick: the rhetorical evolution of women in american film
Throughout its history, the American film industry has produced films about women and for women, and three distinct phases may be identified within it: the “woman’s film,” the “new” woman’s film, and the “chick flick.” I assert that the recurring themes and images within the films operate as a mythi...
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| Format: | Others |
| Language: | en_US |
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2010
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| Online Access: | http://hdl.handle.net/1969.1/ETD-TAMU-2833 http://hdl.handle.net/1969.1/ETD-TAMU-2833 |