Continuity in Technological Change: A Political Economic Analysis of Digital Film Exhibition
This thesis analyzes the current transition to digital cinema projection technologies within the film exhibition business. I begin by discussing two historical cases of technological change in film exhibition technology, and I identify the corporations that successfully controlled periods of techno...
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ndltd-siu.edu-oai-opensiuc.lib.siu.edu-theses-12592018-12-20T04:28:03Z Continuity in Technological Change: A Political Economic Analysis of Digital Film Exhibition Birkinbine, Benjamin J This thesis analyzes the current transition to digital cinema projection technologies within the film exhibition business. I begin by discussing two historical cases of technological change in film exhibition technology, and I identify the corporations that successfully controlled periods of technological change in order to solidify their position atop the film industry. In drawing from these historical case studies, I examine the current transition to digital cinema projection technologies by discussing the structure of the film exhibition business and identifying those exhibitors that are controlling the transition to digital cinema. I find that the top three exhibitors - Regal Cinemas, AMC Entertainment, and Cinemark - are controlling digital cinema through two joint ventures: Digital Cinema Implementation Partners (DCIP), and National CineMedia (NCM). 2010-08-01T07:00:00Z text application/pdf https://opensiuc.lib.siu.edu/theses/252 https://opensiuc.lib.siu.edu/cgi/viewcontent.cgi?article=1259&context=theses Theses OpenSIUC Capitalism Digital Cinema Film History Political Economy Technology |
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Capitalism Digital Cinema Film History Political Economy Technology |
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Capitalism Digital Cinema Film History Political Economy Technology Birkinbine, Benjamin J Continuity in Technological Change: A Political Economic Analysis of Digital Film Exhibition |
description |
This thesis analyzes the current transition to digital cinema projection technologies within the film exhibition business. I begin by discussing two historical cases of technological change in film exhibition technology, and I identify the corporations that successfully controlled periods of technological change in order to solidify their position atop the film industry. In drawing from these historical case studies, I examine the current transition to digital cinema projection technologies by discussing the structure of the film exhibition business and identifying those exhibitors that are controlling the transition to digital cinema. I find that the top three exhibitors - Regal Cinemas, AMC Entertainment, and Cinemark - are controlling digital cinema through two joint ventures: Digital Cinema Implementation Partners (DCIP), and National CineMedia (NCM). |
author |
Birkinbine, Benjamin J |
author_facet |
Birkinbine, Benjamin J |
author_sort |
Birkinbine, Benjamin J |
title |
Continuity in Technological Change: A Political Economic Analysis of Digital Film Exhibition |
title_short |
Continuity in Technological Change: A Political Economic Analysis of Digital Film Exhibition |
title_full |
Continuity in Technological Change: A Political Economic Analysis of Digital Film Exhibition |
title_fullStr |
Continuity in Technological Change: A Political Economic Analysis of Digital Film Exhibition |
title_full_unstemmed |
Continuity in Technological Change: A Political Economic Analysis of Digital Film Exhibition |
title_sort |
continuity in technological change: a political economic analysis of digital film exhibition |
publisher |
OpenSIUC |
publishDate |
2010 |
url |
https://opensiuc.lib.siu.edu/theses/252 https://opensiuc.lib.siu.edu/cgi/viewcontent.cgi?article=1259&context=theses |
work_keys_str_mv |
AT birkinbinebenjaminj continuityintechnologicalchangeapoliticaleconomicanalysisofdigitalfilmexhibition |
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1718802486857302016 |