SCENE AND UNSEEN: ABJECTION AND THE FEMALE BODY IN FILMS AND DRAMA OF THE NORTHERN IRISH TROUBLES, 1969-1998
This dissertation focuses on the empowerment and disempowerment of the female body during the Troubles of Northern Ireland (1969-1998). It explores the ways that visual texts – mainly film and theater – expose, explain, and challenge the denigrating perceptions of the female body that prevailed duri...
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| Format: | Others |
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OpenSIUC
2020
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| Online Access: | https://opensiuc.lib.siu.edu/dissertations/1810 https://opensiuc.lib.siu.edu/cgi/viewcontent.cgi?article=2814&context=dissertations |
| Summary: | This dissertation focuses on the empowerment and disempowerment of the female body during the Troubles of Northern Ireland (1969-1998). It explores the ways that visual texts – mainly film and theater – expose, explain, and challenge the denigrating perceptions of the female body that prevailed during and after the prison protests of the early 1980s for special category status. In each of my four chapters, I examine a Troubles film or drama via French Feminist Julia Kristeva’s theorization of the female body as an abject threat to patriarchy. This dissertation utilizes the theory of abjection as a way to explain the elision of the female body, manifested as the so-called “dirty” protester, the mother and wife of the hunger striker, and the transgender female, from the pages of history, but with the ultimate goal of challenging the very perception of the female body as inherently abject. |
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