Iconic Images, Visual Appropriations, and Public Culture: Negotiating the Rhetorical Challenges of the USDA Food Pyramids

The interrelated topics of food, eating, nutrition, and diet continue to represent growing areas of interest in communication studies and related disciplines. Food is essential to our existence, and the images we use to communicate about food are important to public culture. In this project, I condu...

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Main Author: Petre, Elizabeth Ann
Format: Others
Published: OpenSIUC 2012
Subjects:
Online Access:https://opensiuc.lib.siu.edu/dissertations/492
https://opensiuc.lib.siu.edu/cgi/viewcontent.cgi?article=1492&context=dissertations
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spelling ndltd-siu.edu-oai-opensiuc.lib.siu.edu-dissertations-14922018-12-20T04:29:46Z Iconic Images, Visual Appropriations, and Public Culture: Negotiating the Rhetorical Challenges of the USDA Food Pyramids Petre, Elizabeth Ann The interrelated topics of food, eating, nutrition, and diet continue to represent growing areas of interest in communication studies and related disciplines. Food is essential to our existence, and the images we use to communicate about food are important to public culture. In this project, I conduct a visual rhetorical analysis of the food pyramids created by the United States Department of Agriculture (USDA), the 1992 Food Guide Pyramid and the 2005 MyPyramid, to explore how these iconic images negotiate the competing interests of the food industry, nutritionists, and the general public. As icons circulate, they become subjected to various forms of appropriation which includes copying, imitating, and satirizing the original image. Therefore, I study a collection of appropriated food pyramids created by different groups and individuals to identify the salient features of the food pyramid icon. As a group these images encourage viewers to believe that an abundance of food always exists by highlighting products over processes. Viewing the earth as endlessly abundant aligns with a cornucopian perspective on the environment which implicitly supports the status quo in the U.S. industrial food system. I conclude by offering ideas of appropriated food pyramids that visually challenge this problematic ideology. The USDA food pyramids and their visual appropriations provide an important space for us to interrogate the rhetorical messages we consume in public culture. 2012-05-01T07:00:00Z text application/pdf https://opensiuc.lib.siu.edu/dissertations/492 https://opensiuc.lib.siu.edu/cgi/viewcontent.cgi?article=1492&context=dissertations Dissertations OpenSIUC appropriations food studies iconic images public culture USDA food pyramids visual rhetoric
collection NDLTD
format Others
sources NDLTD
topic appropriations
food studies
iconic images
public culture
USDA food pyramids
visual rhetoric
spellingShingle appropriations
food studies
iconic images
public culture
USDA food pyramids
visual rhetoric
Petre, Elizabeth Ann
Iconic Images, Visual Appropriations, and Public Culture: Negotiating the Rhetorical Challenges of the USDA Food Pyramids
description The interrelated topics of food, eating, nutrition, and diet continue to represent growing areas of interest in communication studies and related disciplines. Food is essential to our existence, and the images we use to communicate about food are important to public culture. In this project, I conduct a visual rhetorical analysis of the food pyramids created by the United States Department of Agriculture (USDA), the 1992 Food Guide Pyramid and the 2005 MyPyramid, to explore how these iconic images negotiate the competing interests of the food industry, nutritionists, and the general public. As icons circulate, they become subjected to various forms of appropriation which includes copying, imitating, and satirizing the original image. Therefore, I study a collection of appropriated food pyramids created by different groups and individuals to identify the salient features of the food pyramid icon. As a group these images encourage viewers to believe that an abundance of food always exists by highlighting products over processes. Viewing the earth as endlessly abundant aligns with a cornucopian perspective on the environment which implicitly supports the status quo in the U.S. industrial food system. I conclude by offering ideas of appropriated food pyramids that visually challenge this problematic ideology. The USDA food pyramids and their visual appropriations provide an important space for us to interrogate the rhetorical messages we consume in public culture.
author Petre, Elizabeth Ann
author_facet Petre, Elizabeth Ann
author_sort Petre, Elizabeth Ann
title Iconic Images, Visual Appropriations, and Public Culture: Negotiating the Rhetorical Challenges of the USDA Food Pyramids
title_short Iconic Images, Visual Appropriations, and Public Culture: Negotiating the Rhetorical Challenges of the USDA Food Pyramids
title_full Iconic Images, Visual Appropriations, and Public Culture: Negotiating the Rhetorical Challenges of the USDA Food Pyramids
title_fullStr Iconic Images, Visual Appropriations, and Public Culture: Negotiating the Rhetorical Challenges of the USDA Food Pyramids
title_full_unstemmed Iconic Images, Visual Appropriations, and Public Culture: Negotiating the Rhetorical Challenges of the USDA Food Pyramids
title_sort iconic images, visual appropriations, and public culture: negotiating the rhetorical challenges of the usda food pyramids
publisher OpenSIUC
publishDate 2012
url https://opensiuc.lib.siu.edu/dissertations/492
https://opensiuc.lib.siu.edu/cgi/viewcontent.cgi?article=1492&context=dissertations
work_keys_str_mv AT petreelizabethann iconicimagesvisualappropriationsandpublicculturenegotiatingtherhetoricalchallengesoftheusdafoodpyramids
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