DIVADELNÍ ZKOUŠKA JAKO PROCES

• Main Author: Polišenská, Lucie
• Other Authors: Hlavica, Lukáš
• Format: Dissertation
• Language: Czech
• Published: Akademie múzických umění v Praze. Divadelní fakulta AMU. Knihovna 2010
• Online Access: http://www.nusl.cz/ntk/nusl-96872

Where are the desire and certain dependence from, the yearning after standing on the stage in front of the audience and imparting by my instrument (by myself) the ideas of the author, the director and of myself? Who and what influence us the most during the process of rehearsing? Which way to choose in order to manage to get the best result and the possibility of repeating a production with the same repletion every time? What obstructions an actor meets during the rehearsing and how to work with them? In these master theses I want to think about these questions and to give some names to my own experiences and thinks from my relative short theatre praxis. I´ll try to describe, according to my own experiences, the run of the rehearsals of some productions I have passed during the last one and half year. To describe, what influenced me during the process of rehearsing, how was I thinking about my roles and step by step how did I attain the final result. What obstructions I met during the formation, how was I trying to clear them and to achieve the most interesting personages, even though they hadn´t essential space in the productions. afterstanding on the stage in front of the audience and imparting by myinstrument (by myself) the ideas of the author, the director and of myself?Who and what influence us the most during the process of rehearsing?Which way to choose in order to manage to get the best result and the possibility of repeating a production with the same repletion every time?What obstructions an actor meets during the rehearsing and how to work with them?