Střih v digitální kinematografii
This thesis focuses on analysis of changes in the area of film editing, resulting from the introduction of the modern electronic technologies. By comparison of the classical cinematographical workflows based on a traditional film stock with the new opportunities brought by digital systems, it aims t...
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Akademie múzických umění v Praze. Filmová a televizní fakulta AMU. Knihovna
2009
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Online Access: | http://www.nusl.cz/ntk/nusl-79082 |
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ndltd-nusl.cz-oai-invenio.nusl.cz-790822018-10-04T07:41:08Z Střih v digitální kinematografii Editing in Digital Cinematography Sýkora, Jakub Dolenský, Martin Doruška, Tomáš This thesis focuses on analysis of changes in the area of film editing, resulting from the introduction of the modern electronic technologies. By comparison of the classical cinematographical workflows based on a traditional film stock with the new opportunities brought by digital systems, it aims to specify the new working methods as required from the professional film editor. Consequently, this thesis defines the advantages and point out the possible issues arising from displacement of the classical film stock with an electronic media as a fundamental changeover in the whole cinematography history. Furthermore, it explores the recording options of new digital cameras with a view to evaluate the impact on the profession of the film editor. It ponders on the situation of a film editor as he/she is being overloaded with new technologies and seeks the way out from the accumulation of duties and responsibilities which an editor has to manage nowadays. Akademie múzických umění v Praze. Filmová a televizní fakulta AMU. Knihovna 2009 info:eu-repo/semantics/masterThesis http://www.nusl.cz/ntk/nusl-79082 cze info:eu-repo/semantics/restrictedAccess |
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NDLTD |
language |
Czech |
format |
Dissertation |
sources |
NDLTD |
description |
This thesis focuses on analysis of changes in the area of film editing,
resulting from the introduction of the modern electronic technologies. By
comparison of the classical cinematographical workflows based on a traditional
film stock with the new opportunities brought by digital systems, it aims to
specify the new working methods as required from the professional film editor.
Consequently, this thesis defines the advantages and point out the possible
issues arising from displacement of the classical film stock with an electronic
media as a fundamental changeover in the whole cinematography history.
Furthermore, it explores the recording options of new digital cameras with a view
to evaluate the impact on the profession of the film editor. It ponders on the
situation of a film editor as he/she is being overloaded with new technologies and
seeks the way out from the accumulation of duties and responsibilities which
an editor has to manage nowadays. |
author2 |
Dolenský, Martin |
author_facet |
Dolenský, Martin Sýkora, Jakub |
author |
Sýkora, Jakub |
spellingShingle |
Sýkora, Jakub Střih v digitální kinematografii |
author_sort |
Sýkora, Jakub |
title |
Střih v digitální kinematografii |
title_short |
Střih v digitální kinematografii |
title_full |
Střih v digitální kinematografii |
title_fullStr |
Střih v digitální kinematografii |
title_full_unstemmed |
Střih v digitální kinematografii |
title_sort |
střih v digitální kinematografii |
publisher |
Akademie múzických umění v Praze. Filmová a televizní fakulta AMU. Knihovna |
publishDate |
2009 |
url |
http://www.nusl.cz/ntk/nusl-79082 |
work_keys_str_mv |
AT sykorajakub strihvdigitalnikinematografii AT sykorajakub editingindigitalcinematography |
_version_ |
1718761565955555328 |