Střih v digitální kinematografii

This thesis focuses on analysis of changes in the area of film editing, resulting from the introduction of the modern electronic technologies. By comparison of the classical cinematographical workflows based on a traditional film stock with the new opportunities brought by digital systems, it aims t...

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Bibliographic Details
Main Author: Sýkora, Jakub
Other Authors: Dolenský, Martin
Format: Dissertation
Language:Czech
Published: Akademie múzických umění v Praze. Filmová a televizní fakulta AMU. Knihovna 2009
Online Access:http://www.nusl.cz/ntk/nusl-79082
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spelling ndltd-nusl.cz-oai-invenio.nusl.cz-790822018-10-04T07:41:08Z Střih v digitální kinematografii Editing in Digital Cinematography Sýkora, Jakub Dolenský, Martin Doruška, Tomáš This thesis focuses on analysis of changes in the area of film editing, resulting from the introduction of the modern electronic technologies. By comparison of the classical cinematographical workflows based on a traditional film stock with the new opportunities brought by digital systems, it aims to specify the new working methods as required from the professional film editor. Consequently, this thesis defines the advantages and point out the possible issues arising from displacement of the classical film stock with an electronic media as a fundamental changeover in the whole cinematography history. Furthermore, it explores the recording options of new digital cameras with a view to evaluate the impact on the profession of the film editor. It ponders on the situation of a film editor as he/she is being overloaded with new technologies and seeks the way out from the accumulation of duties and responsibilities which an editor has to manage nowadays. Akademie múzických umění v Praze. Filmová a televizní fakulta AMU. Knihovna 2009 info:eu-repo/semantics/masterThesis http://www.nusl.cz/ntk/nusl-79082 cze info:eu-repo/semantics/restrictedAccess
collection NDLTD
language Czech
format Dissertation
sources NDLTD
description This thesis focuses on analysis of changes in the area of film editing, resulting from the introduction of the modern electronic technologies. By comparison of the classical cinematographical workflows based on a traditional film stock with the new opportunities brought by digital systems, it aims to specify the new working methods as required from the professional film editor. Consequently, this thesis defines the advantages and point out the possible issues arising from displacement of the classical film stock with an electronic media as a fundamental changeover in the whole cinematography history. Furthermore, it explores the recording options of new digital cameras with a view to evaluate the impact on the profession of the film editor. It ponders on the situation of a film editor as he/she is being overloaded with new technologies and seeks the way out from the accumulation of duties and responsibilities which an editor has to manage nowadays.
author2 Dolenský, Martin
author_facet Dolenský, Martin
Sýkora, Jakub
author Sýkora, Jakub
spellingShingle Sýkora, Jakub
Střih v digitální kinematografii
author_sort Sýkora, Jakub
title Střih v digitální kinematografii
title_short Střih v digitální kinematografii
title_full Střih v digitální kinematografii
title_fullStr Střih v digitální kinematografii
title_full_unstemmed Střih v digitální kinematografii
title_sort střih v digitální kinematografii
publisher Akademie múzických umění v Praze. Filmová a televizní fakulta AMU. Knihovna
publishDate 2009
url http://www.nusl.cz/ntk/nusl-79082
work_keys_str_mv AT sykorajakub strihvdigitalnikinematografii
AT sykorajakub editingindigitalcinematography
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