| Summary: | This thesis focuses on analysis of changes in the area of film editing,
resulting from the introduction of the modern electronic technologies. By
comparison of the classical cinematographical workflows based on a traditional
film stock with the new opportunities brought by digital systems, it aims to
specify the new working methods as required from the professional film editor.
Consequently, this thesis defines the advantages and point out the possible
issues arising from displacement of the classical film stock with an electronic
media as a fundamental changeover in the whole cinematography history.
Furthermore, it explores the recording options of new digital cameras with a view
to evaluate the impact on the profession of the film editor. It ponders on the
situation of a film editor as he/she is being overloaded with new technologies and
seeks the way out from the accumulation of duties and responsibilities which
an editor has to manage nowadays.
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