Dante Alighieri: Božská komedie.Dramatická postava a její vztah k inscenačnímu prostoru.

Main theme of my graduation thesis is medieval poetic piece called Divine Comedy. My thesis try to find way how we can interpret and stage this text nowadays. I try to use the best all my knowledges gained during my university education. First part of my graduation thesis is theoretical. Mostl...

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Main Author: Bábek Melcerová, Ľubica
Other Authors: Zábrodská, Dana
Format: Dissertation
Language:Czech
Published: Akademie múzických umění v Praze. Divadelní fakulta AMU. Knihovna 2008
Online Access:http://www.nusl.cz/ntk/nusl-78171
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spelling ndltd-nusl.cz-oai-invenio.nusl.cz-781712018-10-04T07:34:37Z Dante Alighieri: Božská komedie.Dramatická postava a její vztah k inscenačnímu prostoru. DANTE ALIGHIERI DIVINE COMEDY (DRAMATIC PERSONAGE AND ITS RELANTIONSHIP TO STAGING SPACE) Bábek Melcerová, Ľubica Zábrodská, Dana Pražák, Albert Glogr, Karel Main theme of my graduation thesis is medieval poetic piece called Divine Comedy. My thesis try to find way how we can interpret and stage this text nowadays. I try to use the best all my knowledges gained during my university education. First part of my graduation thesis is theoretical. Mostly I find informations in non-fiction literature. We can separete it into two subheads. I define the basic scenography notions at first one. I concentre on those, which ones related with my thesis and used them in this text. I write about poetic piece of D. Alighieri Divine Comedy in the second subheads. I give some informations about history of origin and its historical context. Next I attend to translations this piece to czech language and its staging at Czech republic. Second part of thesis is academical and treat of my author´s concept. I am declaratory of reasons my scenic concept. Concept is forwarded to present day and displays the basic thame of the text Divine Comedy for me. Challenge to person to reflection own acts, hopes for saving for rightfuls and punishment of those who do not recpect the moral period context. It is a interactive performance. The audience passes through situations. In some of them the audience can cooperate with performers if they want. The audience meet various types of devils, angels, allegoric figures, prisoners, transgressors in Hell, in Purgatoty and in Heaven. The story is situeted in the no-theatre space. I use idustrial space-the factory. I would like to use authentic incidence of factory to people- depersonalization, inhuman scale...The another reasons are the technical possibilities for resolution of concrete situations. Everybody of audience is Dante and writes own Divine Comedy. Akademie múzických umění v Praze. Divadelní fakulta AMU. Knihovna 2008 info:eu-repo/semantics/masterThesis http://www.nusl.cz/ntk/nusl-78171 cze info:eu-repo/semantics/restrictedAccess
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language Czech
format Dissertation
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description Main theme of my graduation thesis is medieval poetic piece called Divine Comedy. My thesis try to find way how we can interpret and stage this text nowadays. I try to use the best all my knowledges gained during my university education. First part of my graduation thesis is theoretical. Mostly I find informations in non-fiction literature. We can separete it into two subheads. I define the basic scenography notions at first one. I concentre on those, which ones related with my thesis and used them in this text. I write about poetic piece of D. Alighieri Divine Comedy in the second subheads. I give some informations about history of origin and its historical context. Next I attend to translations this piece to czech language and its staging at Czech republic. Second part of thesis is academical and treat of my author´s concept. I am declaratory of reasons my scenic concept. Concept is forwarded to present day and displays the basic thame of the text Divine Comedy for me. Challenge to person to reflection own acts, hopes for saving for rightfuls and punishment of those who do not recpect the moral period context. It is a interactive performance. The audience passes through situations. In some of them the audience can cooperate with performers if they want. The audience meet various types of devils, angels, allegoric figures, prisoners, transgressors in Hell, in Purgatoty and in Heaven. The story is situeted in the no-theatre space. I use idustrial space-the factory. I would like to use authentic incidence of factory to people- depersonalization, inhuman scale...The another reasons are the technical possibilities for resolution of concrete situations. Everybody of audience is Dante and writes own Divine Comedy.
author2 Zábrodská, Dana
author_facet Zábrodská, Dana
Bábek Melcerová, Ľubica
author Bábek Melcerová, Ľubica
spellingShingle Bábek Melcerová, Ľubica
Dante Alighieri: Božská komedie.Dramatická postava a její vztah k inscenačnímu prostoru.
author_sort Bábek Melcerová, Ľubica
title Dante Alighieri: Božská komedie.Dramatická postava a její vztah k inscenačnímu prostoru.
title_short Dante Alighieri: Božská komedie.Dramatická postava a její vztah k inscenačnímu prostoru.
title_full Dante Alighieri: Božská komedie.Dramatická postava a její vztah k inscenačnímu prostoru.
title_fullStr Dante Alighieri: Božská komedie.Dramatická postava a její vztah k inscenačnímu prostoru.
title_full_unstemmed Dante Alighieri: Božská komedie.Dramatická postava a její vztah k inscenačnímu prostoru.
title_sort dante alighieri: božská komedie.dramatická postava a její vztah k inscenačnímu prostoru.
publisher Akademie múzických umění v Praze. Divadelní fakulta AMU. Knihovna
publishDate 2008
url http://www.nusl.cz/ntk/nusl-78171
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