Proměny vztahu sólového nástroje a orchestru v hudbě 2. pol. 20. století
The aim of this theoretical diploma work is to depict different approaches to the relationship between solo instruments and orchestra in contemporary music. It's based on analyses of works by Henri Dutilleux, Alfred Schnittke and Kaija Saariaho. Each composer is introduced with a brief biograp...
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| Format: | Dissertation |
| Language: | Czech |
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Akademie múzických umění v Praze. Hudební fakulta AMU. Knihovna
2008
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| Online Access: | http://www.nusl.cz/ntk/nusl-78154 |
| Summary: | The aim of this theoretical diploma work is to depict different
approaches to the relationship between solo instruments and orchestra
in contemporary music. It's based on analyses of works by Henri
Dutilleux, Alfred Schnittke and Kaija Saariaho. Each composer is
introduced with a brief biography. The following chapters summarize
the composers' output for solo instruments and orchestra. One
substantial work was then selected from each composer for analysis:
Henri Dutilleux's piece Sur la meme accord, Violin Concerto no. 4
by Alfred Schnittke and Aile du songe by Kaija Saariaho. |
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