Historická recepce čtyř historických veseloher Karla Steklého (1969-1980)

The principal object of this thesis is to elucidate the era of commencement of four historical comedies by director Karel Steklý through the method of historical reception. It methodologicaly stems from Barbara Klinger's essay Film History Terminable and Interminable: Recovering the Past in Rec...

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Main Author: Fiala, Pavel
Other Authors: Šarochová, Gabriela
Format: Dissertation
Language:Czech
Published: 2010
Online Access:http://www.nusl.cz/ntk/nusl-297936
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spelling ndltd-nusl.cz-oai-invenio.nusl.cz-2979362017-06-27T04:42:38Z Historická recepce čtyř historických veseloher Karla Steklého (1969-1980) Historical Reception of four historical comedies by Karel Steklý (1969-1980) Fiala, Pavel Šarochová, Gabriela Míšková, Alena The principal object of this thesis is to elucidate the era of commencement of four historical comedies by director Karel Steklý through the method of historical reception. It methodologicaly stems from Barbara Klinger's essay Film History Terminable and Interminable: Recovering the Past in Reception Studies. The thesis Historical Reception of four historical comedies by Karel Steklý is trying to focus the era and the process of commencement in context as huge as reachable. It considers the historical era, when the Steklý's comedies originated, and it also describes the situation in Barrandov Film Studios at the end of 60's and at the beginning of normalization. The inherent part of receptional methods is the portrait of main artist's lifes and careers, portraits of Karel Steklý and Jan Procházka could be found in this thesis accordingly to this fact. Films on their own represent still the main area of the interest, the process and circumstances of their originating are being analysed in details. 2010 info:eu-repo/semantics/masterThesis http://www.nusl.cz/ntk/nusl-297936 cze info:eu-repo/semantics/restrictedAccess
collection NDLTD
language Czech
format Dissertation
sources NDLTD
description The principal object of this thesis is to elucidate the era of commencement of four historical comedies by director Karel Steklý through the method of historical reception. It methodologicaly stems from Barbara Klinger's essay Film History Terminable and Interminable: Recovering the Past in Reception Studies. The thesis Historical Reception of four historical comedies by Karel Steklý is trying to focus the era and the process of commencement in context as huge as reachable. It considers the historical era, when the Steklý's comedies originated, and it also describes the situation in Barrandov Film Studios at the end of 60's and at the beginning of normalization. The inherent part of receptional methods is the portrait of main artist's lifes and careers, portraits of Karel Steklý and Jan Procházka could be found in this thesis accordingly to this fact. Films on their own represent still the main area of the interest, the process and circumstances of their originating are being analysed in details.
author2 Šarochová, Gabriela
author_facet Šarochová, Gabriela
Fiala, Pavel
author Fiala, Pavel
spellingShingle Fiala, Pavel
Historická recepce čtyř historických veseloher Karla Steklého (1969-1980)
author_sort Fiala, Pavel
title Historická recepce čtyř historických veseloher Karla Steklého (1969-1980)
title_short Historická recepce čtyř historických veseloher Karla Steklého (1969-1980)
title_full Historická recepce čtyř historických veseloher Karla Steklého (1969-1980)
title_fullStr Historická recepce čtyř historických veseloher Karla Steklého (1969-1980)
title_full_unstemmed Historická recepce čtyř historických veseloher Karla Steklého (1969-1980)
title_sort historická recepce čtyř historických veseloher karla steklého (1969-1980)
publishDate 2010
url http://www.nusl.cz/ntk/nusl-297936
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