| Summary: | Romanian dramatic production of 60 - 70 years in 20th century is the topic of my diploma thesis. In this period of time dramatists they had much more freedom in their creativity than in previous years. Reason for that was politic release and that had led to artistic release as wel1. I have decided to analyze these four playwriters and their dramas: Ion Baie~u - Iertarea (Forgiveness), Chitimia, Vinovatul (Cuplrit), Escrocii in aer liber (Cheaters under the blue sky), Dresoarea de fantome (Ohosts buster). Teodor Mazilu - Pro~tii sub c1ar de luna (Fools under the moonlight), Ace~ti nebuni fiítamici (These crazy hypocrites), Frumos e in septembrie la Venetia (Beutiful Venice in september), Sarbatoarea princi ara (Prince ly banquet), PMaria de pe noptiera (Hat on the bedside table). Dumitru Radu Popescu - Ace~ti ingeri tri~ti (These sad ange1s), Piticul din gradina de vara (Dwarf in the summer garden), Visul (Dream), Dirijor (Conductor), Cezar, mascariciul piratilor (Cesar, c10wn ofthe pirates) Marin Sorescu - Iona (Jonah), Parac1iserul (S acrist) , Matca (River-channel), Raceala (Cold), A treia teapa (The third executive stake). In my diploma thesis I was mostly concem about the style of the dramas, what affected them, the strongest influence that allowed the artist to open up and describe specific1y each and...
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