Myšlení obrazu

The text tries to study the classical theory of mimésis, that contains motives which has influenced our understanding of the reality (image) up to today. The attention is paid to the classical determination of mimésis in the Plato's and Aristotle's work. The work attempts to study besides...

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Main Author: Řebíková, Barbora
Other Authors: Kouba, Pavel
Format: Dissertation
Language:Czech
Published: 2009
Online Access:http://www.nusl.cz/ntk/nusl-275361
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spelling ndltd-nusl.cz-oai-invenio.nusl.cz-2753612017-06-27T04:39:46Z Myšlení obrazu The thinking of picture Kouba, Pavel Řebíková, Barbora Petříček, Miroslav The text tries to study the classical theory of mimésis, that contains motives which has influenced our understanding of the reality (image) up to today. The attention is paid to the classical determination of mimésis in the Plato's and Aristotle's work. The work attempts to study besides the classical form of the theory also the transformation in modern philosophical environment. At first it studies the change in definition, the determination of minésis as a projection and representation. It points to the variable accent similarities in the studied theory. Then the work analyses the idea positions of Nelson Goodman, who wholly denies the role of similarity for determination of the art theory as a imitation and he builds the realism on totally different base. There are two models of vision described at the conclusion of the work that correspond with the proposed determination of menésis. The work is the base of the reality (image) mind, that could continue with studying of the contemporary art from the theory point of view. 2009 info:eu-repo/semantics/masterThesis http://www.nusl.cz/ntk/nusl-275361 cze info:eu-repo/semantics/restrictedAccess
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language Czech
format Dissertation
sources NDLTD
description The text tries to study the classical theory of mimésis, that contains motives which has influenced our understanding of the reality (image) up to today. The attention is paid to the classical determination of mimésis in the Plato's and Aristotle's work. The work attempts to study besides the classical form of the theory also the transformation in modern philosophical environment. At first it studies the change in definition, the determination of minésis as a projection and representation. It points to the variable accent similarities in the studied theory. Then the work analyses the idea positions of Nelson Goodman, who wholly denies the role of similarity for determination of the art theory as a imitation and he builds the realism on totally different base. There are two models of vision described at the conclusion of the work that correspond with the proposed determination of menésis. The work is the base of the reality (image) mind, that could continue with studying of the contemporary art from the theory point of view.
author2 Kouba, Pavel
author_facet Kouba, Pavel
Řebíková, Barbora
author Řebíková, Barbora
spellingShingle Řebíková, Barbora
Myšlení obrazu
author_sort Řebíková, Barbora
title Myšlení obrazu
title_short Myšlení obrazu
title_full Myšlení obrazu
title_fullStr Myšlení obrazu
title_full_unstemmed Myšlení obrazu
title_sort myšlení obrazu
publishDate 2009
url http://www.nusl.cz/ntk/nusl-275361
work_keys_str_mv AT rebikovabarbora mysleniobrazu
AT rebikovabarbora thethinkingofpicture
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