Putting it down: the making of a cd with special reference to Hendrik Hofmeyr's Notturno elegiaco for piano trio

M.Mus. Faculty of Humanities, University of the Witwatersrand, 2008 === The broad structure of this reflexive essay is twofold: First I discuss my experience of making a compact disc (CD) recording with the Trio Hemanay, which consists of three performer-musicians – Marian Lewin (cello), Helen Vos...

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Main Author: Nay, Malcolm
Format: Others
Language:en
Published: 2009
Subjects:
Online Access:http://hdl.handle.net/10539/7171
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spelling ndltd-netd.ac.za-oai-union.ndltd.org-wits-oai-wiredspace.wits.ac.za-10539-71712019-05-11T03:41:30Z Putting it down: the making of a cd with special reference to Hendrik Hofmeyr's Notturno elegiaco for piano trio Nay, Malcolm digital recording M.Mus. Faculty of Humanities, University of the Witwatersrand, 2008 The broad structure of this reflexive essay is twofold: First I discuss my experience of making a compact disc (CD) recording with the Trio Hemanay, which consists of three performer-musicians – Marian Lewin (cello), Helen Vosloo (flute) and myself, Malcolm Nay (piano), and second I offer an analysis of Hendrik Hofmeyr’s Notturno Elegiaco for Piano Trio, a work composed specifically for the Trio Hemanay,. I draw on writings of other performers and recording artists, who have contemplated and engaged with the recording process, in order to place myself, the Trio and our music-making within a South African context. I further contextualise the Trio with reference to other well-known performing ensembles in South Africa. I refer to the inception and constitution of the Hemanay Trio and give some insights into aspects that inform the aesthetics and rationale of its establishment and existence. I also discuss the practicalities of financing and producing such a recording, and the extent to which non-musical issues inevitably impact on the artistic outcome. I further elaborate on the value of documenting music through recordings, both from a personal and from an objective perspective, and I reflect on what I have learnt from the recording experience; where relevant, I collate this with the experience of my two colleagues. In Part II, I offer an analysis of the musical content and a stylistic scrutiny of Hendrik Hofmeyr’s Notturno Elegiaco, recorded by Trio Hemanay on the CD under discussion (the only current recording of this work). This essay is written in a narrative form, which allows me to discuss the inception of the recording, the development of the process and the elements that have contributed to the acquisition of greater insights for both me and for the Trio, all of which may influence future projects. 2009-09-02T11:33:10Z 2009-09-02T11:33:10Z 2009-09-02T11:33:10Z Thesis http://hdl.handle.net/10539/7171 en application/pdf application/pdf
collection NDLTD
language en
format Others
sources NDLTD
topic digital recording
spellingShingle digital recording
Nay, Malcolm
Putting it down: the making of a cd with special reference to Hendrik Hofmeyr's Notturno elegiaco for piano trio
description M.Mus. Faculty of Humanities, University of the Witwatersrand, 2008 === The broad structure of this reflexive essay is twofold: First I discuss my experience of making a compact disc (CD) recording with the Trio Hemanay, which consists of three performer-musicians – Marian Lewin (cello), Helen Vosloo (flute) and myself, Malcolm Nay (piano), and second I offer an analysis of Hendrik Hofmeyr’s Notturno Elegiaco for Piano Trio, a work composed specifically for the Trio Hemanay,. I draw on writings of other performers and recording artists, who have contemplated and engaged with the recording process, in order to place myself, the Trio and our music-making within a South African context. I further contextualise the Trio with reference to other well-known performing ensembles in South Africa. I refer to the inception and constitution of the Hemanay Trio and give some insights into aspects that inform the aesthetics and rationale of its establishment and existence. I also discuss the practicalities of financing and producing such a recording, and the extent to which non-musical issues inevitably impact on the artistic outcome. I further elaborate on the value of documenting music through recordings, both from a personal and from an objective perspective, and I reflect on what I have learnt from the recording experience; where relevant, I collate this with the experience of my two colleagues. In Part II, I offer an analysis of the musical content and a stylistic scrutiny of Hendrik Hofmeyr’s Notturno Elegiaco, recorded by Trio Hemanay on the CD under discussion (the only current recording of this work). This essay is written in a narrative form, which allows me to discuss the inception of the recording, the development of the process and the elements that have contributed to the acquisition of greater insights for both me and for the Trio, all of which may influence future projects.
author Nay, Malcolm
author_facet Nay, Malcolm
author_sort Nay, Malcolm
title Putting it down: the making of a cd with special reference to Hendrik Hofmeyr's Notturno elegiaco for piano trio
title_short Putting it down: the making of a cd with special reference to Hendrik Hofmeyr's Notturno elegiaco for piano trio
title_full Putting it down: the making of a cd with special reference to Hendrik Hofmeyr's Notturno elegiaco for piano trio
title_fullStr Putting it down: the making of a cd with special reference to Hendrik Hofmeyr's Notturno elegiaco for piano trio
title_full_unstemmed Putting it down: the making of a cd with special reference to Hendrik Hofmeyr's Notturno elegiaco for piano trio
title_sort putting it down: the making of a cd with special reference to hendrik hofmeyr's notturno elegiaco for piano trio
publishDate 2009
url http://hdl.handle.net/10539/7171
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