Voices of other publics: Online magazines, Africa is a Country and Vanguard as a representation of alternative media in democratic South Africa

A thesis submitted to the Faculty of Humanities, University of the Witwatersrand, Johannesburg, in fulfillment of the requirements for the degree of Masters of Journalism and Media Studies. January 2017 === This paper evaluates the ways in which online magazines, Africa is a Country and Vanguard...

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Main Author: Zuma, Nontebeko
Format: Others
Language:en
Published: 2019
Online Access:https://hdl.handle.net/10539/26560
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spelling ndltd-netd.ac.za-oai-union.ndltd.org-wits-oai-wiredspace.wits.ac.za-10539-265602019-05-11T03:41:54Z Voices of other publics: Online magazines, Africa is a Country and Vanguard as a representation of alternative media in democratic South Africa Zuma, Nontebeko A thesis submitted to the Faculty of Humanities, University of the Witwatersrand, Johannesburg, in fulfillment of the requirements for the degree of Masters of Journalism and Media Studies. January 2017 This paper evaluates the ways in which online magazines, Africa is a Country and Vanguard, are representative of alternative media in democratic South Africa. It frames its arguments within the prevailing discursive democratic theory of the counterpublic sphere and examines how these publications’ choice of content production, editorial contributors, target audiences and participatory norms characterise them as such a space. The study argues that as platforms of critical deliberation on issues based on the ideological beliefs, interests and lived experiences of their participants, these media can be regarded as counterpublics existing on the margins of conventional media. As a consequence of their exclusion from the consciousness of 'dominant publics', their publishing activities tend to counter or be of contestatory editorial positioning as a challenge to mainstream media. This study advances that their production of critical content, representation of (and as) marginalised voices and their contribution to public deliberation contribute to our understanding of the role of alternative media in democratic South Africa. To further understand the critical nature of their coverage, this thesis also interrogates Africa is a Country and Vanguard’s socio-political content, by analysing their reports of the Rhodes Must Fall1 discourse which saw student uprisings around the issue of transformation in South Africa’s institutions of higher learning; as well as the xenophobic attacks that put the country in the global spotlight in 2015. E.R. 2019 2019-03-12T12:02:05Z 2019-03-12T12:02:05Z 2017 Thesis https://hdl.handle.net/10539/26560 en application/pdf application/pdf
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description A thesis submitted to the Faculty of Humanities, University of the Witwatersrand, Johannesburg, in fulfillment of the requirements for the degree of Masters of Journalism and Media Studies. January 2017 === This paper evaluates the ways in which online magazines, Africa is a Country and Vanguard, are representative of alternative media in democratic South Africa. It frames its arguments within the prevailing discursive democratic theory of the counterpublic sphere and examines how these publications’ choice of content production, editorial contributors, target audiences and participatory norms characterise them as such a space. The study argues that as platforms of critical deliberation on issues based on the ideological beliefs, interests and lived experiences of their participants, these media can be regarded as counterpublics existing on the margins of conventional media. As a consequence of their exclusion from the consciousness of 'dominant publics', their publishing activities tend to counter or be of contestatory editorial positioning as a challenge to mainstream media. This study advances that their production of critical content, representation of (and as) marginalised voices and their contribution to public deliberation contribute to our understanding of the role of alternative media in democratic South Africa. To further understand the critical nature of their coverage, this thesis also interrogates Africa is a Country and Vanguard’s socio-political content, by analysing their reports of the Rhodes Must Fall1 discourse which saw student uprisings around the issue of transformation in South Africa’s institutions of higher learning; as well as the xenophobic attacks that put the country in the global spotlight in 2015. === E.R. 2019
author Zuma, Nontebeko
spellingShingle Zuma, Nontebeko
Voices of other publics: Online magazines, Africa is a Country and Vanguard as a representation of alternative media in democratic South Africa
author_facet Zuma, Nontebeko
author_sort Zuma, Nontebeko
title Voices of other publics: Online magazines, Africa is a Country and Vanguard as a representation of alternative media in democratic South Africa
title_short Voices of other publics: Online magazines, Africa is a Country and Vanguard as a representation of alternative media in democratic South Africa
title_full Voices of other publics: Online magazines, Africa is a Country and Vanguard as a representation of alternative media in democratic South Africa
title_fullStr Voices of other publics: Online magazines, Africa is a Country and Vanguard as a representation of alternative media in democratic South Africa
title_full_unstemmed Voices of other publics: Online magazines, Africa is a Country and Vanguard as a representation of alternative media in democratic South Africa
title_sort voices of other publics: online magazines, africa is a country and vanguard as a representation of alternative media in democratic south africa
publishDate 2019
url https://hdl.handle.net/10539/26560
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