Representation of abortion in selected film and television

A dissertation submitted to the Faculty of Humanities, University of the Witwatersrand, Johannesburg, in fulfilment of the requirements of the degree of Master of Arts. Johannesburg, 2016 === This dissertation argues that the representation of abortion provides a platform which reveals women’s so...

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Main Author: Barrington, Claire Ann
Format: Others
Language:en
Published: 2017
Subjects:
Online Access:Barrington, Clare Ann (2016) Representation of abortion in selected film and television, University of the Witwatersrand, Johannesburg, <http://hdl.handle.net/10539/22639>
http://hdl.handle.net/10539/22639
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spelling ndltd-netd.ac.za-oai-union.ndltd.org-wits-oai-wiredspace.wits.ac.za-10539-226392021-04-29T05:09:16Z Representation of abortion in selected film and television Barrington, Claire Ann Abortion--Drama Women in motion pictures A dissertation submitted to the Faculty of Humanities, University of the Witwatersrand, Johannesburg, in fulfilment of the requirements of the degree of Master of Arts. Johannesburg, 2016 This dissertation argues that the representation of abortion provides a platform which reveals women’s societal and gendered positions, and provides a critique of the hypocritical attitudes to which societies subject women. I will be considering various representations of abortion in six films and two television shows. The films are Alexander Kluge’s Part-Time Work of a Domestic Slave (1973), Cristian Mungiu’s 4 Months, 3 Weeks and 2 Days (2007), Mike Leigh’s Vera Drake (2004), Fruit Chan’s Dumplings (2004), The Pang Brother’s Re-Cycle (2006) and Ridley Scott’s Prometheus (2012). The two television shows are FX’s American Horror Story (2011—) and ABC’s Grey’s Anatomy (2005—). Each text provides a unique representation of abortion, often situating the issue within particular physical, social, political and cultural locations. In presenting a close reading of each text, I will show how the representation of abortion in each chapter relates to differing social, political and cultural ideologies. I will argue that there is a developing sense of the lived realities of women, which include, but are not limited to, issues of alienation, autonomy, agency and identity. Such lived realties, I will contend, are constructed within societies that, aware or not of the fact, are dominated by patriarchal influences. MT2017 2017-05-17T12:53:48Z 2017-05-17T12:53:48Z 2016 Thesis Barrington, Clare Ann (2016) Representation of abortion in selected film and television, University of the Witwatersrand, Johannesburg, <http://hdl.handle.net/10539/22639> http://hdl.handle.net/10539/22639 en Online resource (215 leaves) application/pdf application/pdf
collection NDLTD
language en
format Others
sources NDLTD
topic Abortion--Drama
Women in motion pictures
spellingShingle Abortion--Drama
Women in motion pictures
Barrington, Claire Ann
Representation of abortion in selected film and television
description A dissertation submitted to the Faculty of Humanities, University of the Witwatersrand, Johannesburg, in fulfilment of the requirements of the degree of Master of Arts. Johannesburg, 2016 === This dissertation argues that the representation of abortion provides a platform which reveals women’s societal and gendered positions, and provides a critique of the hypocritical attitudes to which societies subject women. I will be considering various representations of abortion in six films and two television shows. The films are Alexander Kluge’s Part-Time Work of a Domestic Slave (1973), Cristian Mungiu’s 4 Months, 3 Weeks and 2 Days (2007), Mike Leigh’s Vera Drake (2004), Fruit Chan’s Dumplings (2004), The Pang Brother’s Re-Cycle (2006) and Ridley Scott’s Prometheus (2012). The two television shows are FX’s American Horror Story (2011—) and ABC’s Grey’s Anatomy (2005—). Each text provides a unique representation of abortion, often situating the issue within particular physical, social, political and cultural locations. In presenting a close reading of each text, I will show how the representation of abortion in each chapter relates to differing social, political and cultural ideologies. I will argue that there is a developing sense of the lived realities of women, which include, but are not limited to, issues of alienation, autonomy, agency and identity. Such lived realties, I will contend, are constructed within societies that, aware or not of the fact, are dominated by patriarchal influences. === MT2017
author Barrington, Claire Ann
author_facet Barrington, Claire Ann
author_sort Barrington, Claire Ann
title Representation of abortion in selected film and television
title_short Representation of abortion in selected film and television
title_full Representation of abortion in selected film and television
title_fullStr Representation of abortion in selected film and television
title_full_unstemmed Representation of abortion in selected film and television
title_sort representation of abortion in selected film and television
publishDate 2017
url Barrington, Clare Ann (2016) Representation of abortion in selected film and television, University of the Witwatersrand, Johannesburg, <http://hdl.handle.net/10539/22639>
http://hdl.handle.net/10539/22639
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