Representation of abortion in selected film and television
A dissertation submitted to the Faculty of Humanities, University of the Witwatersrand, Johannesburg, in fulfilment of the requirements of the degree of Master of Arts. Johannesburg, 2016 === This dissertation argues that the representation of abortion provides a platform which reveals women’s so...
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Online Access: | Barrington, Clare Ann (2016) Representation of abortion in selected film and television, University of the Witwatersrand, Johannesburg, <http://hdl.handle.net/10539/22639> http://hdl.handle.net/10539/22639 |
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ndltd-netd.ac.za-oai-union.ndltd.org-wits-oai-wiredspace.wits.ac.za-10539-226392021-04-29T05:09:16Z Representation of abortion in selected film and television Barrington, Claire Ann Abortion--Drama Women in motion pictures A dissertation submitted to the Faculty of Humanities, University of the Witwatersrand, Johannesburg, in fulfilment of the requirements of the degree of Master of Arts. Johannesburg, 2016 This dissertation argues that the representation of abortion provides a platform which reveals women’s societal and gendered positions, and provides a critique of the hypocritical attitudes to which societies subject women. I will be considering various representations of abortion in six films and two television shows. The films are Alexander Kluge’s Part-Time Work of a Domestic Slave (1973), Cristian Mungiu’s 4 Months, 3 Weeks and 2 Days (2007), Mike Leigh’s Vera Drake (2004), Fruit Chan’s Dumplings (2004), The Pang Brother’s Re-Cycle (2006) and Ridley Scott’s Prometheus (2012). The two television shows are FX’s American Horror Story (2011—) and ABC’s Grey’s Anatomy (2005—). Each text provides a unique representation of abortion, often situating the issue within particular physical, social, political and cultural locations. In presenting a close reading of each text, I will show how the representation of abortion in each chapter relates to differing social, political and cultural ideologies. I will argue that there is a developing sense of the lived realities of women, which include, but are not limited to, issues of alienation, autonomy, agency and identity. Such lived realties, I will contend, are constructed within societies that, aware or not of the fact, are dominated by patriarchal influences. MT2017 2017-05-17T12:53:48Z 2017-05-17T12:53:48Z 2016 Thesis Barrington, Clare Ann (2016) Representation of abortion in selected film and television, University of the Witwatersrand, Johannesburg, <http://hdl.handle.net/10539/22639> http://hdl.handle.net/10539/22639 en Online resource (215 leaves) application/pdf application/pdf |
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Abortion--Drama Women in motion pictures |
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Abortion--Drama Women in motion pictures Barrington, Claire Ann Representation of abortion in selected film and television |
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A dissertation submitted to the Faculty of Humanities, University of the Witwatersrand,
Johannesburg, in fulfilment of the requirements of the degree of Master of Arts.
Johannesburg, 2016 === This dissertation argues that the representation of abortion provides a platform which
reveals women’s societal and gendered positions, and provides a critique of the
hypocritical attitudes to which societies subject women. I will be considering various
representations of abortion in six films and two television shows. The films are Alexander
Kluge’s Part-Time Work of a Domestic Slave (1973), Cristian Mungiu’s 4 Months, 3
Weeks and 2 Days (2007), Mike Leigh’s Vera Drake (2004), Fruit Chan’s Dumplings
(2004), The Pang Brother’s Re-Cycle (2006) and Ridley Scott’s Prometheus (2012). The
two television shows are FX’s American Horror Story (2011—) and ABC’s Grey’s
Anatomy (2005—). Each text provides a unique representation of abortion, often situating
the issue within particular physical, social, political and cultural locations. In presenting
a close reading of each text, I will show how the representation of abortion in each chapter
relates to differing social, political and cultural ideologies. I will argue that there is a
developing sense of the lived realities of women, which include, but are not limited to,
issues of alienation, autonomy, agency and identity. Such lived realties, I will contend,
are constructed within societies that, aware or not of the fact, are dominated by patriarchal
influences. === MT2017 |
author |
Barrington, Claire Ann |
author_facet |
Barrington, Claire Ann |
author_sort |
Barrington, Claire Ann |
title |
Representation of abortion in selected film and television |
title_short |
Representation of abortion in selected film and television |
title_full |
Representation of abortion in selected film and television |
title_fullStr |
Representation of abortion in selected film and television |
title_full_unstemmed |
Representation of abortion in selected film and television |
title_sort |
representation of abortion in selected film and television |
publishDate |
2017 |
url |
Barrington, Clare Ann (2016) Representation of abortion in selected film and television, University of the Witwatersrand, Johannesburg, <http://hdl.handle.net/10539/22639> http://hdl.handle.net/10539/22639 |
work_keys_str_mv |
AT barringtonclaireann representationofabortioninselectedfilmandtelevision |
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