Presence as absence: A black feminist analysis of the depiction of black woman in three post-apartheid South African films (2004-2008)
Using feminist film criticism and semiotic analysis, this dissertation evaluates how Black women are portrayed in post-apartheid films in South Africa. Three high-profile feature films, namely Yesterday (Roodt, 2004), Tsotsi (Hood, 2005), and Jerusalema (Ziman, 2008), produced during a five-year per...
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| Format: | Others |
| Language: | en |
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2014
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| Online Access: | http://hdl.handle.net10539/14338 |