Childhoods dis-ordered: Non-realist narrative modes in selected post-2000 West African war novels

Philosophiae Doctor - PhD === This study explores how selected West African war novels employ non-realist narrative modes to portray disruptions in the child’s development into adulthood. The novels considered are Chris Abani’s Song for Night (2007), Ahmadou Kourouma’s Allah is Not Obliged (2006),...

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Bibliographic Details
Main Author: Addei, Cecilia
Other Authors: Moolla, Fiona
Language:en
Published: University of the Western Cape 2017
Subjects:
Online Access:http://hdl.handle.net/11394/5447
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spelling ndltd-netd.ac.za-oai-union.ndltd.org-uwc-oai-etd.uwc.ac.za-11394-54472019-04-16T03:45:46Z Childhoods dis-ordered: Non-realist narrative modes in selected post-2000 West African war novels Addei, Cecilia Moolla, Fiona Childhood Child soldier Initiation Bildungsroman West African Literature Philosophiae Doctor - PhD This study explores how selected West African war novels employ non-realist narrative modes to portray disruptions in the child’s development into adulthood. The novels considered are Chris Abani’s Song for Night (2007), Ahmadou Kourouma’s Allah is Not Obliged (2006), Uzodinma Iweala’s Beasts of No Nation (2005) and Delia Jarrett-Macauley’s Moses, Citizen and Me (2005). These novels strain at the conventions of realism as a consequence of the attempt to represent the disruptions in child development as a result of the upheavals of war. A core proposition of the study is to present why the authors in question are obliged to employ non-realist modes in representing disrupted childhoods that reflect the social and cultural disorder attendant upon war. The dissertation also asks pertinent questions regarding the ideological effect of these narrative strategies and the effect of the particular stylistic idiosyncrasies of each of the authors in figuring childhood in postcolonial Africa. The novels in question employ surrealism, the absurd, the grotesque and magical realism, in presenting the first person narratives of children in war situations, or the reflections of adult narrators on children affected by war. This study further analyses the ways the aesthetic modes employed by these authors underscore, in particular, children’s experiences of war. Through strategic use of specific literary techniques, these authors highlight questions of vulnerability, powerlessness and violence on children, as a group that has been victimised and co-opted into violence. The study further considers how these narrative transformations in the representations of children in novels, capture transformations in ideas about childhood in postcolonial Africa. 2017-06-30T11:10:06Z 2017-08-31T22:10:05Z 2017 Thesis Addei, C. (2017). Childhoods dis-ordered: non-realist narrative modes in selected post-2000 West African war novels. PhD. University of the Western Cape http://hdl.handle.net/11394/5447 en University of the Western Cape University of the Western Cape
collection NDLTD
language en
sources NDLTD
topic Childhood
Child soldier
Initiation
Bildungsroman
West African Literature
spellingShingle Childhood
Child soldier
Initiation
Bildungsroman
West African Literature
Addei, Cecilia
Childhoods dis-ordered: Non-realist narrative modes in selected post-2000 West African war novels
description Philosophiae Doctor - PhD === This study explores how selected West African war novels employ non-realist narrative modes to portray disruptions in the child’s development into adulthood. The novels considered are Chris Abani’s Song for Night (2007), Ahmadou Kourouma’s Allah is Not Obliged (2006), Uzodinma Iweala’s Beasts of No Nation (2005) and Delia Jarrett-Macauley’s Moses, Citizen and Me (2005). These novels strain at the conventions of realism as a consequence of the attempt to represent the disruptions in child development as a result of the upheavals of war. A core proposition of the study is to present why the authors in question are obliged to employ non-realist modes in representing disrupted childhoods that reflect the social and cultural disorder attendant upon war. The dissertation also asks pertinent questions regarding the ideological effect of these narrative strategies and the effect of the particular stylistic idiosyncrasies of each of the authors in figuring childhood in postcolonial Africa. The novels in question employ surrealism, the absurd, the grotesque and magical realism, in presenting the first person narratives of children in war situations, or the reflections of adult narrators on children affected by war. This study further analyses the ways the aesthetic modes employed by these authors underscore, in particular, children’s experiences of war. Through strategic use of specific literary techniques, these authors highlight questions of vulnerability, powerlessness and violence on children, as a group that has been victimised and co-opted into violence. The study further considers how these narrative transformations in the representations of children in novels, capture transformations in ideas about childhood in postcolonial Africa.
author2 Moolla, Fiona
author_facet Moolla, Fiona
Addei, Cecilia
author Addei, Cecilia
author_sort Addei, Cecilia
title Childhoods dis-ordered: Non-realist narrative modes in selected post-2000 West African war novels
title_short Childhoods dis-ordered: Non-realist narrative modes in selected post-2000 West African war novels
title_full Childhoods dis-ordered: Non-realist narrative modes in selected post-2000 West African war novels
title_fullStr Childhoods dis-ordered: Non-realist narrative modes in selected post-2000 West African war novels
title_full_unstemmed Childhoods dis-ordered: Non-realist narrative modes in selected post-2000 West African war novels
title_sort childhoods dis-ordered: non-realist narrative modes in selected post-2000 west african war novels
publisher University of the Western Cape
publishDate 2017
url http://hdl.handle.net/11394/5447
work_keys_str_mv AT addeicecilia childhoodsdisorderednonrealistnarrativemodesinselectedpost2000westafricanwarnovels
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