Fashion, performance and the politics of belonging among Muslim women in Cape Town
Magister Artium - MA === This thesis explores how the hijab fashion market has emerged in Cape Town and how Capetonian Muslim women are appropriating hijab fashion as a means of redefining themselves as Muslim South Africans instead of ‘Cape Malays’, the ethnic label given to Muslims in the Weste...
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University of the Western Cape
2015
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Online Access: | http://hdl.handle.net/11394/3968 |
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ndltd-netd.ac.za-oai-union.ndltd.org-uwc-oai-etd.uwc.ac.za-11394-39682017-08-02T04:00:40Z Fashion, performance and the politics of belonging among Muslim women in Cape Town Hendricks, Hibah Becker, Heike Muslim women Cape Malay Islamic wear Hijab fashion Self stylisation Performance Belonging International Umma Cape Town South Africa Magister Artium - MA This thesis explores how the hijab fashion market has emerged in Cape Town and how Capetonian Muslim women are appropriating hijab fashion as a means of redefining themselves as Muslim South Africans instead of ‘Cape Malays’, the ethnic label given to Muslims in the Western Cape during the apartheid era. I argue that through self stylisation Cape Malay women are performatively rejecting the ethnicisation of Islam during apartheid. I show that ‘Cape Malay’ women are using hijab fashion to perform their ‘Muslimness’ in order to claim a positive and legitimate spot in the ‘rainbow nation’ as Muslims as a religious-cultural category, and not as ‘Malays’, an ethnic category, while simultaneously claiming their belonging to the global umma (Muslim community) 2015-02-12T09:27:27Z 2015-02-12T09:27:27Z 2013 Thesis http://hdl.handle.net/11394/3968 en University of the Western Cape University of the Western Cape |
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en |
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Muslim women Cape Malay Islamic wear Hijab fashion Self stylisation Performance Belonging International Umma Cape Town South Africa |
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Muslim women Cape Malay Islamic wear Hijab fashion Self stylisation Performance Belonging International Umma Cape Town South Africa Hendricks, Hibah Fashion, performance and the politics of belonging among Muslim women in Cape Town |
description |
Magister Artium - MA === This thesis explores how the hijab fashion market has emerged in Cape Town and
how Capetonian Muslim women are appropriating hijab fashion as a means of
redefining themselves as Muslim South Africans instead of ‘Cape Malays’, the ethnic
label given to Muslims in the Western Cape during the apartheid era. I argue that
through self stylisation Cape Malay women are performatively rejecting the
ethnicisation of Islam during apartheid. I show that ‘Cape Malay’ women are using
hijab fashion to perform their ‘Muslimness’ in order to claim a positive and legitimate spot in the ‘rainbow nation’ as Muslims as a religious-cultural category, and not as ‘Malays’, an ethnic category, while simultaneously claiming their belonging to the global umma (Muslim community) |
author2 |
Becker, Heike |
author_facet |
Becker, Heike Hendricks, Hibah |
author |
Hendricks, Hibah |
author_sort |
Hendricks, Hibah |
title |
Fashion, performance and the politics of belonging among Muslim women in Cape Town |
title_short |
Fashion, performance and the politics of belonging among Muslim women in Cape Town |
title_full |
Fashion, performance and the politics of belonging among Muslim women in Cape Town |
title_fullStr |
Fashion, performance and the politics of belonging among Muslim women in Cape Town |
title_full_unstemmed |
Fashion, performance and the politics of belonging among Muslim women in Cape Town |
title_sort |
fashion, performance and the politics of belonging among muslim women in cape town |
publisher |
University of the Western Cape |
publishDate |
2015 |
url |
http://hdl.handle.net/11394/3968 |
work_keys_str_mv |
AT hendrickshibah fashionperformanceandthepoliticsofbelongingamongmuslimwomenincapetown |
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1718510819594993664 |