Real fictions : a heterotopic production design for The Lorax
The aim of this dissertation was to research the field of production design as a sustainable heterotopic image during the various phases of film production. As production topic, The Lorax (Seuss 1971) was explored for its continuing relevant message of warnings against avarice. To provide the produc...
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Online Access: | http://hdl.handle.net/2263/29472 Gerneke, LG 2009, Real fictions : a heterotopic production design for The Lorax, MInst (Prof) dissertation, University of Pretoria, Pretoria, viewed yymmdd <http://hdl.handle.net/2263/29472> http://upetd.up.ac.za/thesis/available/etd-11142012-171320/ |
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ndltd-netd.ac.za-oai-union.ndltd.org-up-oai-repository.up.ac.za-2263-294722020-08-04T05:07:51Z Real fictions : a heterotopic production design for The Lorax Gerneke, Lize Gene Botes, Nico gerneke@gmail.com Konigk, Raymund Heterotopic production design UCTD The aim of this dissertation was to research the field of production design as a sustainable heterotopic image during the various phases of film production. As production topic, The Lorax (Seuss 1971) was explored for its continuing relevant message of warnings against avarice. To provide the production with zeitgeist, the local Pretoria context was implemented to portray this universal narrative message. Information on production design is limited and inadequate. Sources ignore the influences and potential of production design behind the camera lens, which can be quite profound. Production design is influenced by the location and the location is influenced by the production design. Filmic structure and the traditional production design process were researched to provide a structure for the design process. To design the production, film industry conventions were employed with influences from the field of interior architecture. The result of the research is the first step to an inclusive look at production design and its place in the film industry, as well as in society. The result of the design process is a preproduction design package that can be handed over to production companies for further development. In order to complete a production design, the production designer needs a support network of various departments and resources. This dissertation, as the attempt of an individual, is a step to recognize the full potential of the field of production design, by means of a practical example – The Heterotopic Production Design for The Lorax. Dissertation (MInt(Prof))--University of Pretoria, 2009. Architecture unrestricted 2013-09-07T15:44:13Z 2012-11-21 2013-09-07T15:44:13Z 2010-04-19 2009 2012-11-14 Dissertation http://hdl.handle.net/2263/29472 Gerneke, LG 2009, Real fictions : a heterotopic production design for The Lorax, MInst (Prof) dissertation, University of Pretoria, Pretoria, viewed yymmdd <http://hdl.handle.net/2263/29472> E12/4/260/gm http://upetd.up.ac.za/thesis/available/etd-11142012-171320/ en © 2009, University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria University of Pretoria |
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en |
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Heterotopic production design UCTD |
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Heterotopic production design UCTD Gerneke, Lize Gene Real fictions : a heterotopic production design for The Lorax |
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The aim of this dissertation was to research the field of production design as a sustainable heterotopic image during the various phases of film production. As production topic, The Lorax (Seuss 1971) was explored for its continuing relevant message of warnings against avarice. To provide the production with zeitgeist, the local Pretoria context was implemented to portray this universal narrative message. Information on production design is limited and inadequate. Sources ignore the influences and potential of production design behind the camera lens, which can be quite profound. Production design is influenced by the location and the location is influenced by the production design. Filmic structure and the traditional production design process were researched to provide a structure for the design process. To design the production, film industry conventions were employed with influences from the field of interior architecture. The result of the research is the first step to an inclusive look at production design and its place in the film industry, as well as in society. The result of the design process is a preproduction design package that can be handed over to production companies for further development. In order to complete a production design, the production designer needs a support network of various departments and resources. This dissertation, as the attempt of an individual, is a step to recognize the full potential of the field of production design, by means of a practical example – The Heterotopic Production Design for The Lorax. === Dissertation (MInt(Prof))--University of Pretoria, 2009. === Architecture === unrestricted |
author2 |
Botes, Nico |
author_facet |
Botes, Nico Gerneke, Lize Gene |
author |
Gerneke, Lize Gene |
author_sort |
Gerneke, Lize Gene |
title |
Real fictions : a heterotopic production design for The Lorax |
title_short |
Real fictions : a heterotopic production design for The Lorax |
title_full |
Real fictions : a heterotopic production design for The Lorax |
title_fullStr |
Real fictions : a heterotopic production design for The Lorax |
title_full_unstemmed |
Real fictions : a heterotopic production design for The Lorax |
title_sort |
real fictions : a heterotopic production design for the lorax |
publisher |
University of Pretoria |
publishDate |
2013 |
url |
http://hdl.handle.net/2263/29472 Gerneke, LG 2009, Real fictions : a heterotopic production design for The Lorax, MInst (Prof) dissertation, University of Pretoria, Pretoria, viewed yymmdd <http://hdl.handle.net/2263/29472> http://upetd.up.ac.za/thesis/available/etd-11142012-171320/ |
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AT gernekelizegene realfictionsaheterotopicproductiondesignforthelorax |
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