Deconfigurations: the practice of repetition as confirmation of (re)productive (art)works

• Main Author: Swanepoel, Pieter Johan
• Other Authors: Basson, E.L. (Ms.)
• Format: Others
• Language: en
• Published: 2009
• Subjects: Allegory; Archetypal imagery; Binary ambivalence; Cconscious/unconscious; Deconstruction; Interpretation; Interruption; Metaphor; Modernism; Multiplicity/plurality; Postmodenism; Repetition/seriality; 709; Symbolism in art; Allegories; Archetypes > In art; Art appreciation
• Online Access: Swanepoel, Pieter Johan (2009) Deconfigurations: the practice of repetition as confirmation of (re)productive (art)works, University of South Africa, Pretoria, <http://hdl.handle.net/10500/870>; http://hdl.handle.net/10500/870

This study will argue that visual art and the making of images share much With other languages. If writing can be deoonstructed, visual Imagery can be deconfigured, for figuring an image is much like structuring a sentence. The process of deconfiguration however relies on repetition. DeconflguratiOn therefore denies any claim of a primary creator. It will be argued though that deconfiguratlon remains creative as it engages the imagination in a process of transference and through association. Moreover, deconfiguration shows how binary opposites are essential In the making of artworks. The repetitive process takes place when the artwork Is made and continues during the appreciation and/or interpretation of the artwork. For the interpretation to really deconfigure, it would mean that the image constituted by the artist has metaphorical, allegorical and even symbolical implications. The interpreter will thus always remain a partidpant in the creative process suggested by the artwork. === Art History, Visual Arts and Musicology === M.A. (Visual Arts)