Art as an expression of the relationship between humanity and nature : process and layering as visual metaphors

The objective of this dissertation is to establish the notion that art can serve to create and communicate an awareness of the interconnectedness between people and nature. This study debates the theoretical similarities and differences in attitudes toward the planet as interpreted in the artwor...

Full description

Bibliographic Details
Main Author: Bester, Stephanie Francis
Other Authors: Ross, Wendy
Format: Others
Language:en
Published: 2010
Subjects:
701
Online Access:Bester, Stephanie Francis (2009) Art as an expression of the relationship between humanity and nature : process and layering as visual metaphors, University of South Africa, Pretoria, <http://hdl.handle.net/10500/3367>
http://hdl.handle.net/10500/3367
id ndltd-netd.ac.za-oai-union.ndltd.org-unisa-oai-uir.unisa.ac.za-10500-3367
record_format oai_dc
spelling ndltd-netd.ac.za-oai-union.ndltd.org-unisa-oai-uir.unisa.ac.za-10500-33672018-11-19T17:14:17Z Art as an expression of the relationship between humanity and nature : process and layering as visual metaphors Bester, Stephanie Francis Ross, Wendy Anthropocentricism Agricultural Industrial influences Land degradation Art-making processes 701 Art and society Metaphor in art Visual communication in art The objective of this dissertation is to establish the notion that art can serve to create and communicate an awareness of the interconnectedness between people and nature. This study debates the theoretical similarities and differences in attitudes toward the planet as interpreted in the artworks of pre-history shamans and traditional societies, 20th century land and urban artists and contemporary environmentally concerned artists. The comparative findings suggest that attitudes of anthropocentricism, greed and power and a denial of Pantheism associated with agriculture, industrial and technological developments, have changed the human-nature symbiosis found in early societies. The creative component of this study has employed the processes of etching and embossing, digital image manipulations and the juxtaposition and layering of images to establish visual metaphors that communicate interconnectedness. Sculptures, billboards, prints and photographs as artworks of the conscience intend to shift socially and personally constructed perceptions from human-centeredness toward a symbiotic worldview. Art History, Visual Arts and Musicology M.A. (Visual Arts) 2010-06-14T07:45:37Z 2010-06-14T07:45:37Z 2009-11 Thesis Bester, Stephanie Francis (2009) Art as an expression of the relationship between humanity and nature : process and layering as visual metaphors, University of South Africa, Pretoria, <http://hdl.handle.net/10500/3367> http://hdl.handle.net/10500/3367 en 1 online resource (xi, 139 leaves)
collection NDLTD
language en
format Others
sources NDLTD
topic Anthropocentricism
Agricultural
Industrial influences
Land degradation
Art-making processes
701
Art and society
Metaphor in art
Visual communication in art
spellingShingle Anthropocentricism
Agricultural
Industrial influences
Land degradation
Art-making processes
701
Art and society
Metaphor in art
Visual communication in art
Bester, Stephanie Francis
Art as an expression of the relationship between humanity and nature : process and layering as visual metaphors
description The objective of this dissertation is to establish the notion that art can serve to create and communicate an awareness of the interconnectedness between people and nature. This study debates the theoretical similarities and differences in attitudes toward the planet as interpreted in the artworks of pre-history shamans and traditional societies, 20th century land and urban artists and contemporary environmentally concerned artists. The comparative findings suggest that attitudes of anthropocentricism, greed and power and a denial of Pantheism associated with agriculture, industrial and technological developments, have changed the human-nature symbiosis found in early societies. The creative component of this study has employed the processes of etching and embossing, digital image manipulations and the juxtaposition and layering of images to establish visual metaphors that communicate interconnectedness. Sculptures, billboards, prints and photographs as artworks of the conscience intend to shift socially and personally constructed perceptions from human-centeredness toward a symbiotic worldview. === Art History, Visual Arts and Musicology === M.A. (Visual Arts)
author2 Ross, Wendy
author_facet Ross, Wendy
Bester, Stephanie Francis
author Bester, Stephanie Francis
author_sort Bester, Stephanie Francis
title Art as an expression of the relationship between humanity and nature : process and layering as visual metaphors
title_short Art as an expression of the relationship between humanity and nature : process and layering as visual metaphors
title_full Art as an expression of the relationship between humanity and nature : process and layering as visual metaphors
title_fullStr Art as an expression of the relationship between humanity and nature : process and layering as visual metaphors
title_full_unstemmed Art as an expression of the relationship between humanity and nature : process and layering as visual metaphors
title_sort art as an expression of the relationship between humanity and nature : process and layering as visual metaphors
publishDate 2010
url Bester, Stephanie Francis (2009) Art as an expression of the relationship between humanity and nature : process and layering as visual metaphors, University of South Africa, Pretoria, <http://hdl.handle.net/10500/3367>
http://hdl.handle.net/10500/3367
work_keys_str_mv AT besterstephaniefrancis artasanexpressionoftherelationshipbetweenhumanityandnatureprocessandlayeringasvisualmetaphors
_version_ 1718793264759308288